Udemy Buy the Right Camera Equipment to Make Pro Quality Videos

/1_-_Important_Background_for_Video_Makers/

1.1_-_Larry_Cheuk_Digital_Production.txt

1_-_Course_Introduction.mp4

2.1_-_The_Great_Camera_Shootout_2011_-_SCCE_~_Episode_One.txt

2.2_-_The_Great_Camera_Shootout_2011_-_SCCE_~_Episode_Two.txt

2.3_-_The_Great_Camera_Shootout_2011_-_SCCE_~_Episode_Three.txt

2.4_-_Revenge_of_The_Great_Camera_Shootout_Part_One.txt

2.5_-_Revenge_of_The_Great_Camera_Shootout_Part_Two.txt

2.6_-_Revenge_of_The_Great_Camera_Shootout_Part_Three_-_Pixel_Peepers.txt

2.7_-_Why_4K_TVs_are_stupid_-_CNET.txt

2_-_Choosing_the_Right_Camera_for_You.mp4

/2_-_Video_Production_Tools_for_the_Beginner_Video_Maker/

3.1_-_Camcorders_-_A_General_Overview.txt

3_-_Consumer_Camcorders_Part_1_-_Pros_and_Cons_of_Consumer_Camcorders.mp4

4.1_-_There_Are_Now_Over_20_Cell_Phones_that_Shoot_4K_Video.txt

4.2_-_Apple_of_My_Eye_-_IPHONE_4_FILM.txt

4.4_-_Reference_Material_For_Consumer_Camcorder_.docx

4_-_Consumer_Camcorders_Part_2_-_Popular_Consumer_Camcorders.mp4

5.1_-_How-to_Improve_the_Audio_on_a_Consumer_Video_Camera_with_a_Mini_Shotgun_Microphone.txt

5.2_-_Reference_Material_For_Basic_Audio_Equipment_and_Shotgun_Mics_Lecture_.docx

5_-_Shotgun_Mics_for_Consumer_Camcorders.mp4

6.1_-_Reference_Material_For_Basic_Lighting_Equipment_.docx

6_-_Basic_Lighting_Equipment.mp4

7.1_-_Camera_Mounts_Tripod.txt

7.2_-_Reference_Material_For_Basic_Camera_Support_Equipment_.docx

7_-_Basic_Camera_Support_Equipment_-_Tripods_and_Monopods_5.mp4

8.1_-_Apple_of_My_Eye_-_IPHONE_4_FILM.txt

8.2_-_FiLMiC_Pro.txt

8_-_What_You_ll_Need_to_Make_a_Great_Video_with_Your_iPhone.mp4

/3_-_Video_Production_Tools_for_Intermediate_or_Semi_Pro_Video_Makers/

9.1_-_3_Chip_Vs_Dslr_Part_1.txt

9_-_Prosumer_Camcorders_Part_1_-_The_Pros_and_Cons.mp4

10.1_-_Panasonic_-_The_3-Chip_Champions.txt

10.2_-_Reference_Material_For_Prosumer_Camcorder_Lecture_.docx

10_-_Prosumer_Camcorders_Part_2_-_Popular_Camcorders.mp4

11.1_-_HDSLRs_for_Video_-_Beyond_the_Hype_-_DSLR_Video.txt

11_-_Using_the_DSLR_Still_Camera_for_Video_Part_1_-_The_Pros_and_Cons.mp4

12.1_-_The_no_longer_evolving_review_of_the_Sony_A7s_now_with_extreme_low_light_video..txt

12.2_-_Reference_Material_For_DSL_Rs_For_Video_2.docx

12_-_Using_the_DSLR_Still_Camera_for_Video_Part_2_-_Popular_DSLR_Cameras.mp4

13.1_-_Reference_Material_For_DSL_Rs_For_Video_3.docx

13_-_Using_the_DSLR_for_Video_Part_3_-_Critical_Accessories_and_The_DSLR_Conclusion.mp4

14.1_-_AJA_CION_Super_35mm_4K_Camera_Will_Finally_Begin_Shipping_in_Late_December.txt

14.2_-_Kinefinity_Gets_Serious_with_New_6K_KineMAX_and_4K_KineMINI_RAW_Cameras.txt

14.3_-_Reference_Material_For_Large_Sensor_Cameras_Leture_.docx

14_-_Large_Sensor_Cameras.mp4

15.1_-_Reference_Material_For_Lenses_Lecture_.docx

15_-_Lenses_for_DSLRs_and_Large_Sensor_Cameras.mp4

/4_-_Advanced_Lighting_and_Equipment_for_Intermediate_and_Pro_Video_Makers/

16.1_-_As_I_Hear_It_-_Choosing_the_Right_Microphone.txt

16.2_-_Reference_Material_For_Advanced_Audio_Equipment_.docx

16_-_Advanced_Audio_Equipment_-_Pro_Mics_Recorders_Mixers_and_Audio_Devices_for_DSLR.mp4

17.1_-_Creating_a_Beauty_Light_with_a_Book_Light.txt

17.2_-_DIY_Book_Light_on_a_Model.txt

17.3_-_Training_Your_Eye_-_Lighting_for_Cinematographers.txt

17.4_-_Reference_Material_For_Industry_Standard_Lighting_Lecture_.docx

17_-_Industry_Standard_Lighting_Equipment_for_Intermediate_or_Semi_Pro_Video_Makers.mp4

18.1_-_Reference_Material_For_Advanced_Camera_Support_Equipment_.docx

18_-_Advanced_Camera_Support_Equipment_-_Enhance_the_Production_Value_of_Your_Videos.mp4

/5_-_Post_Production_and_Conclusion/

19_-_Editing_Software_for_Beginners_and_Pros.mp4

20.1_-_Hard-Drive_Solutions_for_Video-Editing_Studios.txt

20.2_-_Hard_Drives_And_Computer_Best_Practices_.docx

20_-_Hard_Drives_and_Computer_Best_Practices.mp4

21.1_-_The_Undocumented_Day.txt

21_-_Conclusion_-_Lights...Camera...Action.mp4

Total files 61