Cubase 401 Mastering in Cubase | C47F1A1B62530F20ECA359D3D5D53738DDC4F0A3

Cubase 401 Mastering in Cubase

Name	Cubase 401 Mastering in Cubase	DOWNLOAD Copy Link Trouble downloading? see How To
Total Size	769.0 MB
Total Files	90
Hash	C47F1A1B62530F20ECA359D3D5D53738DDC4F0A3

/.../1. The Concept of Mastering/
05. Remastering Comparison.mp4	21.5 MB
07. Bit Depth - 16 Bit vs 24 Bit vs 32 Bit.mp4	19.8 MB
04. Peak Volume vs. Average (RMS) Volume.mp4	15.9 MB
09. Sample Frequency (in KHz) - 44.1 vs. 48 vs. 88.2 vs ....mp4	13.3 MB
06. The Loudness War - Daring to be Neutral.mp4	7.8 MB
03. Analog Mastering vs. Digital Mastering.mp4	5.7 MB
10. Mastering for Different Musical Genres.mp4	4.6 MB
01. Goals of Mastering in Cubase.mp4	4.4 MB
08. Don't Throw Away Your Bits (Maximizing Dynamic Range).mp4	4.0 MB
02. What is Audio Mastering.mp4	3.8 MB
/.../2. The Tools of Mastering/
12. The Top Speed of Digital Audio is 0 (Zero).mp4	4.6 MB
13. Normalizing and Why You Shouldn't Use It.mp4	4.4 MB
11. My clients say, Make it punchy, shiny, and LOUD!.mp4	2.6 MB
14. The Concept of Dithering.mp4	2.2 MB
/.../3. The Cubase Mastering Plug-ins/
20. Following Proper Mastering Plug-in Order.mp4	7.3 MB
17. Plug-ins for Tone (EQ).mp4	6.0 MB
16. Plug-ins for Compression.mp4	3.4 MB
22. What the Click - Mac OS vs. Windows Mouse Commands.mp4	2.9 MB
21. Using the Cubase Plug-ins Reference Manual.mp4	2.9 MB
15. Mastering Limitations of Cubase Studio 5 and Lower.mp4	2.8 MB
18. Plug-ins for Limiting.mp4	2.6 MB
19. Plug-ins for Dithering.mp4	2.4 MB
/.../4. Making a Master-ready Mix in Cubase/
25. Checking the Gain Stage of the Master Fader.mp4	21.3 MB
27. Increasing Your Audio Interface Buffer During Mastering.mp4	14.5 MB
24. Monitoring the Mastering Plug-ins.mp4	13.8 MB
28. Can I Use Mastering Plug-ins on Individual Tracks.mp4	8.4 MB
23. Inserting the Mastering Plug-ins.mp4	8.2 MB
29. Using Your Ears, Monitors, Headphones and Car Stere....mp4	6.4 MB
26. Mastering after the Mix vs. During the Mix.mp4	4.6 MB
/.../5. The Controls of a Compressor/
30. Creating a Cubase Project for the Next Chapters.mp4	15.9 MB
37. Attack, Hold, Release, and Auto.mp4	9.6 MB
33. Threshold.mp4	9.6 MB
34. Ratio.mp4	8.5 MB
32. Compressor are like Rubber Bands.mp4	8.2 MB
35. Make Up Gain (Output) and Auto.mp4	6.7 MB
39. Trying Different Compressor Presets.mp4	4.6 MB
36. Soft Knee vs Hard Knee.mp4	3.3 MB
38. Analysis (Peak and-or RMS).mp4	3.1 MB
31. Adding a Basic Compressor.mp4	2.5 MB
/.../6. The Cubase Multiband Compressor - Your Deadliest Mast/
43. Adjusting the 4 Frequency Bands.mp4	25.0 MB
40. Full-Range Compressors vs. Multiband Compressors.mp4	9.8 MB
42. Using the MUTE and SOLO Controls.mp4	9.6 MB
41. Multiband Compressor Controls.mp4	9.6 MB
45. Trying Different Multiband Compressor Presets.mp4	7.7 MB
44. Adjusting the Output Gain.mp4	7.6 MB
46. Is the Multiband Compressor a Tone (EQ) Plug-in.mp4	1.6 MB
/.../7. What is Tone/
49. Parametric EQ vs. Graphic EQ.mp4	11.9 MB
48. Tone Controls Found on Consumer Electronics.mp4	3.1 MB
47. Tone, EQ, and Equalization are Synonyms.mp4	1.9 MB
/.../8. The Cubase Channel EQ/
52. Q-Factor.mp4	13.4 MB
51. Frequency and Gain.mp4	7.0 MB
55. Trying Different EQ Presets.mp4	5.1 MB
54. Bypassing Individual Bands and Bypassing the Entire EQ.mp4	4.4 MB
53. Moving the Controls.mp4	3.9 MB
56. Is the StudioEQ Plug-in Identical to the Channel EQ.mp4	3.5 MB
50. The Concepts of the Cubase Channel Parametrics.mp4	1.9 MB
/.../9. The GEQ10 and GEQ30 Graphic Equalizers/
61. Trying Different Graphic EQ Presets.mp4	11.3 MB
60. The Filter Mode Settings.mp4	11.3 MB
59. Outputs, Flatten, Range and Invert.mp4	11.3 MB
58. Sliders for Different Frequency Bands.mp4	6.0 MB
57. The Concepts of the Cubase Graphic Equalizer Plug-ins.mp4	2.4 MB
/.../10. What is a Limiter/
62. A Limiter is like a C-Clamp.mp4	2.8 MB
/.../11. Using the Cubase Maximizer/
63. The Maximizer Plug-in is a Mastering Limiter.mp4	6.7 MB
66. Soft Clip On or Off.mp4	4.6 MB
65. Using the Optimize Control.mp4	3.1 MB
64. Setting the Output Level Control.mp4	2.9 MB
/.../12. Using the Appogee UV 22 HR Dithering Plug-in/
67. Where to use the UV 22 HR.mp4	10.1 MB
69. Setting a Dither Level.mp4	1.8 MB
68. Choosing an Output Bit Resolution.mp4	1.6 MB
/.../13. Using the Multiscope Plug-in/
70. The Multiscope in Frequency Spectrum Mode.mp4	18.2 MB
71. Using the Multiscope in Phase Correlator Mode.mp4	1.8 MB
/.../14. Using all your Mastering Plug-ins on a Real Project/
78. Statistical Analysis of the Mixdown.mp4	31.0 MB
74. Using the GEQ-30.mp4	26.7 MB
76. Adding a Consumer Smiley Face EQ.mp4	20.9 MB
72. Setting up a Cubase Project for Mastering.mp4	17.5 MB
75. Using the Maximizer.mp4	14.8 MB
77. Export - Audio Mixdown.mp4	14.7 MB
73. Using the Multiband Compressor.mp4	8.4 MB
/.../15. Matt's Mixdown Philosophy/
80. Exporting to High-Resolution without Mastering.mp4	6.1 MB
83. Exporting to MP3 Resolution with Mastering.mp4	6.0 MB
79. Why 4 Mixdowns.mp4	4.4 MB
81. Exporting to High-Resolution with Mastering.mp4	3.6 MB
82. Exporting to CD Resolution with Mastering.mp4	3.5 MB
/.../16. The Importance of Multi-Project Mastering/
86. Comparing Tracks.mp4	30.4 MB
84. Multi-Project Mastering Concepts.mp4	19.7 MB
85. Where to Put the Plug-ins.mp4	15.1 MB
89. Exporting Multi-Project Masters.mp4	10.5 MB
87. Feeling the Transitions.mp4	9.6 MB
88. Crossfading Mastered Files.mp4	7.2 MB
/.../17. Signing Off/
90. Goodbye and Good Luck.mp4	2.1 MB
Total files 90