History and Culture of Jazz book collection BeLLBoY

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Stokes, W. R. (1993) The Jazz Scene. An Informal History from New Orleans to 1990. New York, Oxford University Press.pdf

Gourse, L. (1995). Madame Jazz. Contemporary Women Instrumentalists. New York, Oxford University Press .pdf

Gitler, I. (1987). Swing to Bop. An Oral History of the Transition in Jazz in the 1940s. New York, Oxford University Press.pdf

Berliner, P. F. (1994). Thinking in Jazz. The Infinite Art of Improvisation. Chicago, The University of Chicago Press.pdf

Banfield, W. C. (2011). Representing Black Music Culture. Lanham, The Scarecrow Press.pdf

Shaw, A. (1989). The Jazz Age. Popular Music in the 1920s. New York, Oxford University Press.pdf

Crow, B. (1993). From Birdland to Broadway. Scenes from a Jazz Life. New York, Oxford University Press.pdf

Jarret, M. (1999). Drifting on a Read. Jazz As a Model for Writing. New York, State University of New York Press.chm

Berliner, P. F. (1994). Thinking in Jazz. The Infinite Art of Improvisation. Chicago, The University of Chicago Press.epub

Rosenthal, D H. (1993). Hard Bop. Jazz and Black Music 1955-1965. New York, Oxford University Press.pdf

Martin, H., Waters, K. (2008). Essential Jazz. The First 100 Years. 2nd Ed. Boston, Schirmer-Cengage.pdf

Morton, B., Cook, R. (2010). The Penguin Jazz Guide. The History of the Music in the 1001 Best Albums. London, Penguin.pdf

Sutro, D. (2006). Jazz for Dummies. 2nd Ed. Hoboken, NJ, Wiley Publishing.pdf

Witkin, Robert W. (2000). Why did Adorno Hate Jazz, in Sociological Theory, Vol. 18, nº 1, 145-170 .pdf

Hochstat Greenberg, J. L. (2010). Jazz Books in the 1990s. An Annotated Bibliography. Lanham, Scarecrow Press.pdf

Morton, B., Cook, R. (2010). The Penguin Jazz Guide. The History of the Music in the 1001 Best Albums. London, Penguin.epub

Poiger, U. G. (2000). Jazz, Rock, and Rebels. Cold War Politics and American Culture in a Divided Germany. Berkeley, University of California Press.pdf

Ake, D. (2002). Jazz Cultures. Berkeley, University of California Press.pdf

Mazzola, G. et al. (2009). Flow, Gesture, and Spaces in Free Jazz. Towards a Theory of Collaboration (Computational Music Science). Berlin, Springer.pdf

Stokes, W. R. (2005). Growing Up with Jazz. Twenty-four Musicians Talk about Their Lives and Careers. New York, Oxford University Press.pdf

Fernandez, R. A. (2006). From Afro-Cuban Rhythms to Latin Jazz. Berkeley, University of California Press.pdf

Von Eschen, P. M. (2006). Satchmo Blows Up the World. Jazz Ambassadors Play the Cold War. Cambridge, Mass., Harvard University Press.pdf

Peretti, B. W. (2008). Lift Every Voice. The History of African American Music. Lanham, Rowman & Littlefield Publishers.pdf

Gioia, Ted (1998). The History of Jazz. New York, Oxford University Press.pdf

Santoro, G. (2004). Highway 61 Revisited. The Tangled Roots of American Jazz, Blues, Rock, & Country Music. New York, Oxford University Press.pdf

Hentoff, Nat (2010). At the Jazz Band Ball. Sixty Years on the Jazz Scene (Foreword by Lewis Porter). Berkeley, University of California Press.pdf

Cho, A. (2010). The Jazz Process. Collaboration, Innovation, and Agiility. Upper Saddle River, NJ, Addison-Wesley.pdf

Whaley Jr, P. (2004). Blows Like a Horn. Beat Writing, Jazz, Style, and Markets in the Transformation of U.S. Culture. Cambridge, Harvard University.pdf

Lopes, P. (2004). The Rise of a Jazz Art World. Cambridge, Cambridge University Press.pdf

Townsend. P. (2007). Pearl Harbor Jazz. Change in Popular Culture in the early 1940s. Jackson, The University Press of Mississippi.pdf

Whitehead, K. (2011). Why Jazz. A Concise Guide. New York, Oxford University Press.pdf

Morangelli, M (2007). Jazz. A Short History (Articles for JazzFriends).pdf

Total files 33