Lynda Photoshop CS3 Channels and Masks The Essentials

/01_Introduction/

01_01_Welcome.mov

01_04_Loading.Color.Settings.Into.Photoshop.mov

01_05_Synchronizing.Color.Settings.Across.CS3.mov

01_02_Setting.a.Few.Key.Preferences.mov

01_03_Loading.the.DekeKeys.Shortcuts.mov

/02_How.Channels.Work/

02_06_Lab.color.mov

02_14_16-bit.advantages.mov

02_07_CMYK.plates.mov

02_02_The.Channels.palette.mov

02_09_RGB.to.multichannel.to.CMYK_(and.back).mov

02_05_Single-channel.grayscale.mov

02_13_Separating.a.composite.quadtone.mov

02_01_Channels.are.everything.mov

02_11_Duotones,tritones,and.quadtones.mov

02_04_RGB.color.mov

02_08_Introducing.multichannel.mov

02_03_Channels.in.color.mov

02_10_CMYK.to.multichannel.to.RGB.mov

02_12_Editing.a.quadtone.mov

/03_How.Masks.Work/

03_16_The.lossless.translation.mov

03_13_Modifying.a.mask.mov

03_15_Blending.image.elements.mov

03_03_The.anatomy.of.a.mask.mov

03_14_Combining.masks.mov

03_05_Using.the.new.channel.icons.mov

03_12_Changing.a.mask's.overlay.color.mov

03_10_Loading.a.mask.from.one.image.into.another.mov

03_11_Viewing.a.mask.as.a.rubylith.overlay.mov

03_06_Saving.an.image.with.an.alpha.channel.mov

03_07_Loading.an.alpha.channel.mov

03_04_Making.an.alpha.channel.mov

03_02_The.alpha.channel.mov

03_09_Using.additional.masks.mov

03_08_Putting.a.mask.into.play.mov

03_01_The.non-color-bearing.channel.mov

03_17_The.goodness.of.masks.mov

/04_Selection.Essentials/

04_13_Blurring.a.selection.with.Feather.mov

04_09_Nudging.and.aligning.mov

04_01_The.selections.is.key,your.understanding.is.core.mov

04_03_The.lasso.tools.mov

04_02_The.marquee.tools.mov

04_11_How.antialiasing.works.mov

04_07_The.floating.selection.mov

04_04_The.automation.tools.mov

04_05_Modifying.a.selection.outline.mov

04_08_Promoting.a.floater.to.a.layer.mov

04_10_The.Anti-alias.check.box.mov

04_06_Moving.and.cloning.selected.pixels.mov

04_12_Partially.selecting.pixels.mov

/05_The.Automated.Selection.Tools/

05_10_Using.the.Quick.Selection.tool.mov

05_13_The.new.Refine.Edge.command.mov

05_16_QS+ML+RE=success.mov

05_14_The.five.Refine.Edge.slider.bars.mov

05_08_Perfecting.your.composition.mov

05_12_Using.the.Magnetic.Lasso.tool.mov

05_02_The.Magic.Wand.revealed.mov

05_01_Magic,quick,and.magnetic.mov

05_11_Meet.the.Magnetic.Lasso.tool.mov

05_04_Changing.the.sample.size.mov

05_09_Meet.the.Quick.Selection.tool.mov

05_15_Testing.a.refined.selection.outline.mov

05_07_Dragging,dropping,and.registering.mov

05_05_Selecting.with.the.Wand.mov

05_03_Contiguous.and.Sample.All.Layers.mov

05_06_The.Wand's.fake.antialiasing.mov

/06_Combining.and.Transforming.Selections/

06_04_Networking.selection.tools.mov

06_03_Single-tool.calculations.mov

06_05_The.Polygonal.Lasso.trick.mov

06_08_Pasting.an.image.inside.a.selection.mov

06_06_Finessing.your.selection.outline.mov

06_01_I'm.trapped!Marching.ants.on.the.loose!.mov

06_07_Transforming.and.warping.a.selection.outline.mov

06_09_Shading.and.intersecting.mov

06_02_Add,subtract,and.intersect.mov

06_10_Combining.a.selection.with.a.mask.mov

/07_Color.Range.and.Quick.Mask/

07_02_Meet.the.Color.Range.command.mov

07_13_Making.fine-tuned.adjustments.mov

07_14_Hand-painting.refinements.mov

07_12_Quick.Mask.and.Quick.Selection.mov

07_07_Smoothing.away.auto-sharpened.edges.mov

07_06_Using.the.Color.Range.command.mov

07_08_Remaking.corners.with.the.Magnetic.Lasso.mov

07_09_Now.for.something.a.bit.more.complicated.mov

07_01_The.best.selection.tool.is.a.command.mov

07_10_Meet.the.Quick.Mask.mode.mov

07_04_Primary.colors.and.luminance.ranges.mov

07_15_Pasting.an.image.in.back.of.a.selection.mov

07_16_Neutralizing.a.color.cast.mov

07_05_Sample.all.visible.layers.all.the.time.mov

07_11_Editing.in.the.Quick.Mask.mode.mov

07_03_Working.in.the.Color.Range.dialog.box.mov

/08_Erase.and.Extract/

08_08_Masking.a.tiger_(or.another.colorful.animal).mov

08_04_Using.the.Background.Eraser.mov

08_09_Using.the.Extract.command.mov

08_12_Smoothing.edges.with.Textured.Image.mov

08_05_The.Background.Eraser's.shameful.secret.mov

08_06_The.power.of.partial.extractions.mov

08_11_Extracting.with.an.alpha.channel.mov

08_03_The.Magic.Eraser.in.action.mov

08_13_Cleaning.up.the.rough.edges.mov

08_07_Why.the.Extract.command.erases.pixels.mov

08_01_Extraction.erases.pixels.for.good_(or.ill).mov

08_10_Smoothing.edges.with.Textured.Image.mov

08_02_Meet.the.Magic.Eraser.tool.mov

/09_Everyday.Channel.Masking/

09_09_Fixing.the.rough.patches.mov

09_17_Further.toasting.with.Inner.Glow.mov

09_08_Re-aliasing.a.selection.outline.mov

09_16_Toasting.the.edges.mov

09_14_Blending.hair.and.sky.mov

09_05_Overlay.painting_pt.1_The.highlights.mov

09_04_Levels.or.curves.mov

09_03_Choosing.a.base.channel.mov

09_12_Adding.an.underlighting.effect.mov

09_10_Testing.your.mask.mov

09_07_Cleaning.up.with.the.Lasso.mov

09_15_Select.menu.equivalents.mov

09_11_Creating.a.detailed.silhouette.mov

09_02_Trompe.l'oeil.with.hair.mov

09_01_It's.time.to.select.some.hair.mov

09_06_Overlay_painting_pt.2_The.shadows.mov

09_18_Setting.the.image.in.a.$3000.frame.mov

09_13_Previewing.the.blended.composition.mov

/10_Compositing.with.Blend.Modes/

10_02_Bringing.in.a.scanned.logo.mov

10_07_The.amazing.Difference.logo.mov

10_04_Resizing.a.Smart.Object.mov

10_06_Coloring.the.logo.mov

10_14_The.two.inversion.modes.mov

10_13_The.seven.contrast.modes.mov

10_11_Screen,Multiply,Dodge,and.Burn.mov

10_10_Lighten,Darken,and.their.composite.offspring.mov

10_05_Invert.and.Screen.mov

10_16_The.four.HSL.modes.mov

10_15_Unearthing.JPEG.details.with.the.Difference.blend.mode.mov

10_03_The.power.of.Multiply.mov

10_08_The.25.standard.CS3.blend.modes.mov

10_09_Cycling.from.one.blend.mode.to.the.next.mov

10_12_Why.Multiply.darkens_(blend.mode.math).mov

10_17_Combining.the.effects.of.two.blend.modes.mov

10_01_The.world.of.parametric.editing.mov

/11_Good Bye/

11_To.Be.Continued_Bye.for.now!.mov

/Exercise/

exercise_files.rar

exercise_files.sit

data.info

Total files 143