Lynda Premiere Pro Guru Transcoding Workflows

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22. Sequence settings-464396.mp4

23. Subclip transcoding-464397.mp4

21. Examining your sequence at full quality-464395.mp4

20. Benefits and possibilities of transcoding while you edit-464394.mp4

18. Working with uncompressed sources-464391.mp4

19. Applying first-pass color correction with a LUT-464392.mp4

24. Exchanging managed sequence or media with other video professionals-464398.mp4

25. Render and replace-464399.mp4

30. Learn more-464406.mp4

Ex_Files_PP_Guru_Transcoding.zip

29. Archiving projects-464404.mp4

28. Implementing watched folders for output-464403.mp4

26. Benefits and possibilities of transcoding at the end of your edit-464401.mp4

27. Adjusting pixels and frame sizes-464402.mp4

17. Working with highly compressed sources-464390.mp4

16. Creating a preset for transcoding-464389.mp4

06. Log-464378.mp4

07. Raw-464379.mp4

05. Codecs and formats for shooting-464377.mp4

04. Native vs. transcoded editing in Premiere Pro-464376.mp4

02. How to get the most from this course-464373.mp4

03. Using the exercise files-464374.mp4

08. Codecs and formats for editing-464380.mp4

09. Limitations of native workflows-464381.mp4

14. Understanding Adobe Media Encoder in the transcoding process-464387.mp4

15. Essential transcoding settings-464388.mp4

13. Using Prelude to transcode footage before you edit-464386.mp4

12. Doing a basic transcoded workflow-464384.mp4

10. Pros and cons of transcoded workflows-464382.mp4

11. Factors that go into choosing a workflow-464383.mp4

01. Welcome-464372.mp4

Total files 31