Lynda video part2 |
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Total Size |
194.0 GB |
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Total Files |
8379 |
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Hash |
50EB594E6F3D0182BF8A698B6EB08539B600415C |
/3D-Animation-Animation-tutorials_Toon-Boom-Storyboard-Pro-Essential-Training_18203/ |
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38.6 MB |
006 The differences between live-action and animation storyboards.mp4 |
36.5 MB |
007 Why move from paper to digital drawing in Storyboard Pro.mp4 |
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022 Adding, duplicating, copying, pasting, and deleting a layer.mp4 |
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037 How to edit contours and add perspective to your drawings.mp4 |
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056 Numbering scenes and shots in animation vs. live-action projects.mp4 |
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065 Tracking notes as well as changes and edits to your boards.mp4 |
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/After-Effects-tutorials_5-Day-Mograph-Challenge-Animated-GIFs_37378/ |
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/After-Effects-tutorials_5-Day-Mograph-Challenge-Animated-Icons_37903/ |
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/After-Effects-tutorials_5-Day-Mograph-Challenge-Animating-Elements_37903/ |
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/After-Effects-tutorials_5-Day-Mograph-Challenge-Animation-Fundamentals_37904/ |
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/After-Effects-tutorials_5-Day-Mograph-Challenge-Typographic-Logo-Animation_37904/ |
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/After-Effects-tutorials_After-Effects-2015-Creative-Cloud-Updates_37884/ |
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/After-Effects-tutorials_After-Effects-CC-Essential-Training-2015_37139/ |
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027 Layer compositing - Masks, switches, and blend modes.mp4 |
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070 Smoothing shaky camera footage with Warp Stabilizer VFX.mp4 |
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/After-Effects-tutorials_After-Effects-CC-Essential-Training_12243/ |
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13.5 MB |
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11.9 MB |
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3.2 MB |
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005 Understanding and managing applications with Creative Cloud (CC 2014.1).mp4 |
5.6 MB |
006 Which versions of After Effects CC does this course cover (CC 2014.1).mp4 |
5.7 MB |
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3.9 MB |
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2.8 MB |
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4.6 MB |
010 Exploring the interface of After Effects (CC 2014.1).mp4 |
37.5 MB |
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28.2 MB |
012 Exploring important preferences, and setting up the cache (CC 2014.1).mp4 |
25.3 MB |
013 Exploring important preferences and setting up the cache.mp4 |
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043 Layer compositing - Masks, switches, and blend modes.mp4 |
19.8 MB |
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10.1 MB |
045 Precise compositing with variable-width feathered masks.mp4 |
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18.6 MB |
079 Understanding CINEMA 4D Lite and After Effects (CC 2014.1).mp4 |
6.5 MB |
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7.5 MB |
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23.6 MB |
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22.7 MB |
083 Matching CINEMA 4D Lite and After Effects projects (CC 2014.1).mp4 |
18.1 MB |
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14.9 MB |
085 Understanding the CINEMA 4D Lite interface (CC 2014.1).mp4 |
26.4 MB |
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19.2 MB |
087 Creating 3D projects from Illustrator files (CC 2014.1).mp4 |
20.4 MB |
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14.8 MB |
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29.6 MB |
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18.2 MB |
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15.2 MB |
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14.3 MB |
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23.5 MB |
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31.5 MB |
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18.6 MB |
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14.9 MB |
098 Working with presets (materials and lights) (CC 2014.1).mp4 |
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14.7 MB |
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106 Render settings and the multipass workflow (CC 2014.1).mp4 |
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20.3 MB |
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2.6 MB |
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117 Animating text and prepairing templates for use in Premiere Pro (CC 2014.1).mp4 |
24.8 MB |
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42.0 MB |
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43.4 MB |
120 Smoothing shaky camera footage with Warp Stabilizer VFX.mp4 |
18.0 MB |
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21.3 MB |
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8.3 MB |
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13.7 MB |
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14.9 MB |
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16.5 MB |
130 Warp Stabilizer VFX - Reversible Stabilization workflow.mp4 |
17.2 MB |
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21.9 MB |
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7.7 MB |
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2.7 MB |
134 Moving compositions between projects in After Effects.mp4 |
2.6 MB |
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11.2 MB |
/After-Effects-tutorials_After-Effects-Compositing-03-Advanced-Matching-Looks_11491/ |
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11.4 MB |
002 Understand what Curves can do like no other color corrector.mp4 |
19.3 MB |
003 Advanced adjustment with multiple objects and Curves.mp4 |
9.3 MB |
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22.4 MB |
005 Set guide layers to freely add a nonrendering reference.mp4 |
18.1 MB |
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29.9 MB |
007 Add a light-wrap effect to composite into a backlit scene.mp4 |
16.9 MB |
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13.3 MB |
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9.2 MB |
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24.2 MB |
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13.5 MB |
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46.5 MB |
019 Fix sloppy precomps with the Preserve frame rate when nested option.mp4 |
16.7 MB |
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7.7 MB |
021 Know the fundamental differences between HDR and LDR.mp4 |
14.0 MB |
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13.6 MB |
023 Be deliberate when establishing and breaking the 32-bit-per-channel pipeline.mp4 |
7.7 MB |
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/After-Effects-tutorials_After-Effects-Compositing-04-Color-Keying_11491/ |
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007 Quickly and carefully sample for screen color in Keylight.mp4 |
14.2 MB |
008 Precisely adjust Clip Black and Clip White in Keylight.mp4 |
13.9 MB |
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014 Eliminate spill automatically with Advanced Spill Suppressor.mp4 |
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7.0 MB |
016 Use the Adobe workflow - Keylight, Key Cleaner, and Advanced Spill Suppressor.mp4 |
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025 Create an animated g-matte selection without roto or keyframes.mp4 |
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20.5 MB |
030 Think beyond keying - Solve a shot with keying and roto.mp4 |
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14.3 MB |
035 Set up a simple sky replacement in 32 bits per channel.mp4 |
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/After-Effects-tutorials_After-Effects-Compositing-05-Rotoscoping-Edges_11491/ |
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/After-Effects-tutorials_After-Effects-Compositing-06-Tracking-Stabilization_11491/ |
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/After-Effects-tutorials_After-Effects-Compositing-Essentials-Introduction-Key-Concepts_11491/ |
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56.4 MB |
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13.6 MB |
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43.3 MB |
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006 Essential 3 - An overview of the camera for compositing.mp4 |
42.0 MB |
007 Essential 4 - An overview of what makes an image cinematic.mp4 |
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/After-Effects-tutorials_After-Effects-Compositing-Essentials-Matching-Foreground-Background_11491/ |
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11.9 MB |
018 Create a simple rack focus between two layers with Camera Lens Blur.mp4 |
22.1 MB |
019 Set up a 3D rack focus with the After Effects camera.mp4 |
22.2 MB |
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14.7 MB |
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11.3 MB |
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027 Analyze a complex shot with Uber key and the composition flowchart.mp4 |
11.5 MB |
028 Match shadow grain and color with an adjustment layer.mp4 |
20.8 MB |
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21.9 MB |
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17.0 MB |
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30.9 MB |
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22.2 MB |
/After-Effects-tutorials_After-Effects-Creative-Cloud-Updates_12440/ |
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23.8 MB |
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29.2 MB |
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18.3 MB |
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22.9 MB |
/After-Effects-tutorials_After-Effects-Guru-Advanced-Photoshop-Techniques_36116/ |
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20.0 MB |
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6.6 MB |
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7.0 MB |
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40.7 MB |
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56.7 MB |
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42.2 MB |
007 Loading and editing preset styles with lookup tables (LUTs).mp4 |
12.8 MB |
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33.9 MB |
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21.4 MB |
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10.2 MB |
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22.7 MB |
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45.8 MB |
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42.5 MB |
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37.1 MB |
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31.4 MB |
016 Creating environment maps to match graphics into scenes.mp4 |
30.8 MB |
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16.1 MB |
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18.9 MB |
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33.4 MB |
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10.6 MB |
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14.9 MB |
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15.4 MB |
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22.8 MB |
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17.3 MB |
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18.6 MB |
/After-Effects-tutorials_After-Effects-Guru-Animating-Typography_16757/ |
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8.4 MB |
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6.9 MB |
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13.1 MB |
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13.8 MB |
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19.4 MB |
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38.2 MB |
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24.3 MB |
012 Working with existing presets (and visually browsing).mp4 |
24.5 MB |
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30.1 MB |
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15.2 MB |
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37.2 MB |
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22.4 MB |
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37.1 MB |
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28.2 MB |
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36.3 MB |
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33.1 MB |
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30.6 MB |
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36.2 MB |
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53.9 MB |
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35.2 MB |
025 Multiline dynamic moves with cameras and type animators.mp4 |
27.8 MB |
026 Using multiple animators and refining your animation.mp4 |
35.3 MB |
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11.2 MB |
/After-Effects-tutorials_After-Effects-Guru-Color-Grading-Footage_16636/ |
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9.7 MB |
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32.6 MB |
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44.3 MB |
017 The use of auto adjustments to fix exposure and tone.mp4 |
36.6 MB |
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32.5 MB |
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20.4 MB |
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027 Adjusting a single color with the Change Color effect.mp4 |
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005 Viewing only modified properties to refine the effect.mp4 |
27.2 MB |
006 Viewing only keyframed properties to change the animation.mp4 |
25.2 MB |
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21.8 MB |
008 Downloading and installing additional presets from Adobe.mp4 |
38.4 MB |
009 Downloading and installing additional presets from third parties.mp4 |
33.0 MB |
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22.6 MB |
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023 Adding and populating After Effects lower-third templates in Premiere Pro.mp4 |
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29.3 MB |
035 Rendering and replacing dynamicaly linked compositions.mp4 |
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14.3 MB |
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018 Inspect the background video and check for appropriate typefaces.mp4 |
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62.3 MB |
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/After-Effects-tutorials_After-Effects-Guru-Key-Frame-Assistants_19634/ |
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007 Controlling playback of sequenced layers with time controls.mp4 |
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30.4 MB |
010 Adding intensity to animation with audio-driven keyframes.mp4 |
16.3 MB |
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27.8 MB |
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13.8 MB |
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22.6 MB |
016 Converting animation between expressions and keyframes.mp4 |
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6.7 MB |
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009 Understanding CC Force Motion Blur vs. Pixel Motion Blur.mp4 |
38.6 MB |
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64.1 MB |
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22.6 MB |
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34.9 MB |
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014 Creating a strobe effect using Posterize Time and CC Wide Time.mp4 |
33.2 MB |
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33.4 MB |
016 Adding a dramatic warp effect using CC Time Blend FX.mp4 |
61.5 MB |
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39.7 MB |
018 Designing opening titles based on the Time Displacement effect.mp4 |
40.9 MB |
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11.0 MB |
/After-Effects-tutorials_After-Effects-Guru-Tracking-Stabilizing-Footage_16636/ |
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017 Choosing between no-motion and smooth-motion methods.mp4 |
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019 Refining video with Smart Sharpen and blur reduction.mp4 |
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012 Building custom repeating shapes with the Blend tool.mp4 |
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13.3 MB |
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20.9 MB |
015 Dynamic transitions with the Vegas and Stroke effects.mp4 |
44.6 MB |
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36.8 MB |
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18.3 MB |
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021 Add to Adobe Media Encoder Queue vs. Add to Render Queue.mp4 |
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12.1 MB |
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19.2 MB |
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6.1 MB |
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32.5 MB |
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5.3 MB |
/After-Effects-tutorials_After-Effects-Tips-Techniques-Shortcuts-Navigation-Project-Management_16756/ |
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023 Scrubbing color and extending beyond 'maximum' slider values.mp4 |
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17.2 MB |
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27.5 MB |
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26.3 MB |
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13.5 MB |
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876.4 KB |
/After-Effects-tutorials_Creating-Flying-Logos-After-Effects-CINEMA-4D-Lite_36507/ |
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31.1 MB |
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19.5 MB |
006 Grouping shape layer content and saving shapes to compositions.mp4 |
25.8 MB |
007 Texture challenge - Find and photograph your own textures!.mp4 |
8.3 MB |
008 Adding texture to shapes with track mattes and blending modes.mp4 |
16.9 MB |
009 Quick tip - Using CC RepeTile effect to extend a texture edge.mp4 |
14.5 MB |
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23.8 MB |
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16.2 MB |
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26.3 MB |
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12.6 MB |
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016 Using expression controllers to keyframe expression values.mp4 |
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31.0 MB |
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/After-Effects-tutorials_Creating-Handmade-Look-After-Effects-02-Design-Animation_41850/ |
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/After-Effects-tutorials_Creating-Handmade-Look-After-Effects-03-Compositing-Reusing-Elements_41850/ |
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012 Creating a master grunge-texture animation from stills.mp4 |
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/After-Effects-tutorials_Creating-Project-Templates-After-Effects_37899/ |
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009 Creating continuous rotation with the time expression.mp4 |
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013 Adding, modifying, and removing effects in After Effects.mp4 |
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018 Applying a correction to a master clip in Premiere Pro.mp4 |
14.1 MB |
019 Creative effect example - Creating a warm, soft look.mp4 |
12.9 MB |
020 Creative effect example - Building a black-and-white transition effect.mp4 |
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021 Simplifying expressions with JavaScript Math objects.mp4 |
7.6 MB |
022 Reviewing order of operations for mathematical expressions.mp4 |
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/After-Effects-tutorials_Mograph-Techniques-Creating-Bouncy-Cartoon-Logo-CINEMA-4D_36336/ |
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007 Prepping text to be animated with the Jiggle deformer.mp4 |
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010 Animating 'O' using Jiggle deformer with Linear Falloff.mp4 |
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013 Animating 'G' using Jiggle deformer and adjusting falloff direction.mp4 |
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026 Setting up object buffers, adding multipasses, and rendering.mp4 |
11.5 MB |
027 Importing assets and compositing passes in After Effects.mp4 |
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008 Using the Spline shader to add text to the ribbon texture.mp4 |
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012 Preparing to import into After Effects using CINEWARE.mp4 |
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011 Constraining a part's movement range with the Range Mapper node.mp4 |
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014 Using position, scale, and rotation constraints to place a logo element.mp4 |
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015 Setting up to render by adding Compositing tags and multipasses.mp4 |
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017 Adding depth of field and motion blur in After Effects.mp4 |
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007 Stylize the wipe using expansion masks and layer styles.mp4 |
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017 Design a cascade sunshine animation using shapes and Trapcode Echospace.mp4 |
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030 Final preparation and using Smart Objects to organize.mp4 |
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038 Positioning while animating the camera and layers together.mp4 |
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009 Making the turbine element using hard surface modeling.mp4 |
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013 Animating the panel opening using the Shader effector.mp4 |
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015 Importing the logo from Illustrator using ArtSmart 2 and Extrude Object.mp4 |
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028 Importing assets and compositing passes in After Effects.mp4 |
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030 Adding optical flares with the Video Copilot Optical Flares plugin.mp4 |
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012 Importing a static logo to a nonlinear editor (NLE) with transparency.mp4 |
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029 An alternative workflow with still images and keyframes - Part one.mp4 |
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030 An alternative workflow with still images and keyframes - Part two.mp4 |
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004 What are raster graphics, and when should you use them.mp4 |
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006 What are vector graphics, and when should you use them.mp4 |
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013 Understanding file extensions and file formats for video workflows.mp4 |
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014 Choosing the right anti-aliasing method for text and lines.mp4 |
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018 Designing for black-and-white and color-blind viewing.mp4 |
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019 Configuring a Photoshop workspace for video projects.mp4 |
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020 Configuring Photoshop preferences for video workflows.mp4 |
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025 Designing for center-cut HD broadcasts in Premiere Pro.mp4 |
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030 Saving a Photoshop file for a NLE or motion graphics system.mp4 |
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031 Configuring Adobe Illustrator preferences for video workflows.mp4 |
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032 Configuring Illustrator workspaces for video projects.mp4 |
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035 Saving an Illustrator file for an NLE or motion graphics system.mp4 |
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038 Using Dynamic Link with text for Premiere Pro and After Effects.mp4 |
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004 Replacing the clip with an After Effects composition.mp4 |
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008 Checking out the new CINEWARE features with After Effects CC 2014.1.mp4 |
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012 Finishing the image by sending from Lightroom to Photoshop.mp4 |
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013 Developing strategies for the source files in Photoshop.mp4 |
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018 Removing distortion with the Adaptive Wide Angle command.mp4 |
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021 Using the offset method with a 360-degree panoramic photo.mp4 |
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026 Building the stage with pt_Panorama and advanced options.mp4 |
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030 Using a cylindrical panoramic photo to create reflections.mp4 |
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031 Using a spherical panoramic photo to create reflections.mp4 |
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009 Setting up the environment and exporting 3D camera data to CINEMA 4D.mp4 |
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011 Comparing audio file and multitrack session workflows.mp4 |
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024 Comparing waveforms and the Spectral Frequency Display.mp4 |
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043 Using the Spectral Frequency Display to clean up your audio.mp4 |
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065 Exploring your audio with the Frequency Analysis panel.mp4 |
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008 Switching between track- and clip-level control on the Timeline.mp4 |
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015 Stereo vs. 5.1 vs. multichannel output master tracks.mp4 |
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018 Sculpting sound from nothing with Doppler and Distortion.mp4 |
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015 More options - Per character 3D, curvature, and reflections.mp4 |
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005 Understanding how 3D software is designed to function.mp4 |
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014 Understanding object categories - Active and passive.mp4 |
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016 Modifying objects with the Object and Attribute Managers.mp4 |
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024 Modeling with splines - Text splines and Sweep objects.mp4 |
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025 Extruding and organizing paths from Adobe Illustrator.mp4 |
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026 Understanding 3D objects - Points, edges, and polygons.mp4 |
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028 Closing and connecting geometry with the PolyPen and Bridge tools.mp4 |
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031 Modeling with subdivisions - Modeling with subdivision surfaces.mp4 |
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055 Controlling animation between keyframes with the F-Curve Manager.mp4 |
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067 Previewing multipass rendering in the picture viewer.mp4 |
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069 Exploring the essentials of using the Physical Renderer.mp4 |
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009 Creating and animating a simple camera rig with a null object.mp4 |
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015 Tracking shots with the Motion Camera tag Spline setting.mp4 |
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016 Create a trailing camera with the Chase Object setting.mp4 |
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017 Creating a canyon fly-through with Automatic Banking.mp4 |
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018 Creating a steadicam effect with the Motion Camera rig.mp4 |
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010 Adding a placeholder card to represent the ground plane.mp4 |
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005 Adding an emitter to create multiple objects for the scene.mp4 |
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007 Modeling a collider cone to restrain where the coins fall.mp4 |
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013 Baking animations with proxy elements to speed up render times.mp4 |
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006 Modeling fantasy-movie titles with a chisel technique.mp4 |
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012 Animating the action-movie title with the Random and Shader effectors.mp4 |
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014 Animating the fantasy-movie title with the Random and Shader effectors.mp4 |
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019 Importing assets and compositing passes in After Effects.mp4 |
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020 Adding optical flares with the Video Copilot Optical Flares plugin.mp4 |
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022 Importing assets and compositing passes in After Effects.mp4 |
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008 Solving the tracked shot and setting up the environment.mp4 |
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016 Matching CG light to the light in the background shot.mp4 |
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023 Color grading, adding grain, and working with lens distortion.mp4 |
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020 Capturing the calibration chart image set for a prime lens.mp4 |
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044 Advanced correction with the Adaptive Wide Angle command.mp4 |
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008 Setting up a scene for export and setting the origin and ground plane.mp4 |
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009 Adding a placeholder solid to represent the ground plane.mp4 |
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020 Importing our render passes into After Effects from CINEMA 4D.mp4 |
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003 Best practices for using the CameraTracker in After Effects.mp4 |
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010 Using thresholds to remove points and improve the solve.mp4 |
10.6 MB |
011 Using the Solve parameters to set accurate physical camera data.mp4 |
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36.1 MB |
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56.6 MB |
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17.7 MB |
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45.2 MB |
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18.8 MB |
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38.0 MB |
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55.0 MB |
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42.4 MB |
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35.8 MB |
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19.4 MB |
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55.4 MB |
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64.0 MB |
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22.6 MB |
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26.2 MB |
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47.4 MB |
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79.2 MB |
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22.5 MB |
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45.5 MB |
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31.7 MB |
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20.6 MB |
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29.0 MB |
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22.6 MB |
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4.1 MB |
/Cinema-4D-tutorials_Creating-Motion-Graphics-Sketch-Toon-CINEMA-4D_38474/ |
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6.4 MB |
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2.1 MB |
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1.9 MB |
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5.8 MB |
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9.5 MB |
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20.4 MB |
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9.6 MB |
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11.5 MB |
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13.4 MB |
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9.2 MB |
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7.0 MB |
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30.2 MB |
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8.4 MB |
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14.1 MB |
019 Creating an offset printing style with stroke offset options.mp4 |
7.8 MB |
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6.9 MB |
021 Creating dotted line accents with stroke pattern options.mp4 |
5.9 MB |
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6.6 MB |
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6.5 MB |
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6.7 MB |
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10.1 MB |
026 Avoiding problems with drawing strokes on animated objects.mp4 |
7.4 MB |
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7.8 MB |
028 Rendering Sketch and Toon effects with multipass options.mp4 |
7.5 MB |
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6.2 MB |
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8.4 MB |
/Compressor-tutorials_Compressor-41-Essential-Training_16306/ |
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6.6 MB |
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6.6 MB |
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21.3 MB |
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6.7 MB |
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7.3 MB |
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11.3 MB |
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10.5 MB |
008 Dragging and dropping, and importing QuickTime files.mp4 |
3.7 MB |
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3.8 MB |
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4.0 MB |
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5.5 MB |
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4.3 MB |
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5.5 MB |
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5.9 MB |
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11.1 MB |
016 Using the Apple preset for iPads, iPhones, and Apple TVs.mp4 |
6.9 MB |
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11.2 MB |
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6.8 MB |
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9.0 MB |
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6.5 MB |
021 Creating custom publishing for CNN iReport, Tudou, or Youku.mp4 |
9.5 MB |
022 Improving the online presets by matching sequence dimensions.mp4 |
20.1 MB |
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11.5 MB |
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7.2 MB |
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9.6 MB |
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10.1 MB |
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18.1 MB |
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17.5 MB |
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15.1 MB |
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9.6 MB |
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18.6 MB |
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8.3 MB |
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9.0 MB |
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11.0 MB |
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10.7 MB |
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12.0 MB |
037 Adjusting the preferences for a default setting and location.mp4 |
8.0 MB |
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5.0 MB |
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8.1 MB |
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6.3 MB |
041 Customizing and saving job templates along with custom metadata.mp4 |
8.3 MB |
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6.0 MB |
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10.2 MB |
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8.7 MB |
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5.8 MB |
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2.6 MB |
/Creative-Cloud-tutorials_Up-Running-Adobe-Creative-Cloud-Revision_44495/ |
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9.3 MB |
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4.2 MB |
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10.2 MB |
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19.1 MB |
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10.2 MB |
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10.0 MB |
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10.2 MB |
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11.1 MB |
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8.3 MB |
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6.6 MB |
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12.8 MB |
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8.2 MB |
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4.5 MB |
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11.7 MB |
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16.8 MB |
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5.1 MB |
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17.1 MB |
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10.4 MB |
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3.5 MB |
/DVD-Architect-Studio-tutorials_Sony-Vegas-Production-Workflow_15034/ |
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9.9 MB |
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6.4 MB |
003 Introducing the programs and exploring their strengths.mp4 |
4.7 MB |
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6.7 MB |
005 Adding media to the timeline and trimming and slicing.mp4 |
9.9 MB |
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11.9 MB |
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9.8 MB |
008 Using multiple tracks of video and audio to build a scene.mp4 |
23.8 MB |
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16.8 MB |
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24.0 MB |
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17.0 MB |
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12.6 MB |
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13.2 MB |
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6.6 MB |
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12.0 MB |
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29.2 MB |
017 Cleaning up audio with Noise Gate, Dynamics, and the normalizer.mp4 |
30.5 MB |
018 Using a plugin chain rather than adding effects directly to a file.mp4 |
17.2 MB |
019 Transferring your finished audio from Sound Forge back to Vegas.mp4 |
10.1 MB |
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9.9 MB |
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11.9 MB |
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9.0 MB |
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13.0 MB |
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10.5 MB |
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20.9 MB |
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12.9 MB |
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6.5 MB |
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17.2 MB |
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12.7 MB |
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8.3 MB |
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19.2 MB |
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20.4 MB |
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11.7 MB |
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15.5 MB |
035 Using color sets and overlays to highlight your disc animation.mp4 |
18.1 MB |
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10.7 MB |
037 Using scene markers to create a scene selection submenu.mp4 |
7.4 MB |
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12.2 MB |
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25.0 MB |
040 Adding an alternative language track or commentary track to video.mp4 |
14.1 MB |
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14.0 MB |
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13.2 MB |
043 Saving your output as a prepared file and burning with third-party software.mp4 |
18.3 MB |
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18.6 MB |
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8.5 MB |
/DaVinci-Resolve-tutorials_DaVinci-Resolve-11-Essential-Training_16071/ |
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22.4 MB |
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29.8 MB |
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12.7 MB |
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20.4 MB |
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25.4 MB |
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18.7 MB |
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17.1 MB |
008 Building a Resolve system - Monitors and calibration.mp4 |
21.2 MB |
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16.5 MB |
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15.8 MB |
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16.8 MB |
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15.1 MB |
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27.5 MB |
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20.3 MB |
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15.5 MB |
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28.6 MB |
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26.1 MB |
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22.1 MB |
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24.6 MB |
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11.9 MB |
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38.1 MB |
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26.7 MB |
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33.5 MB |
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29.6 MB |
025 The music video - Analyzing and importing the source footage.mp4 |
22.5 MB |
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10.3 MB |
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27.3 MB |
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39.6 MB |
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21.4 MB |
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17.5 MB |
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24.7 MB |
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27.8 MB |
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22.4 MB |
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25.1 MB |
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19.7 MB |
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28.8 MB |
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30.9 MB |
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25.8 MB |
039 Exporting XMLs and self-contained movies from your NLE.mp4 |
13.6 MB |
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15.0 MB |
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41.9 MB |
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31.2 MB |
043 Automatic scene detection - Refining and checking your timeline.mp4 |
23.2 MB |
044 Creative spotting session - Selecting hero shots and timeline filtering.mp4 |
41.4 MB |
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27.6 MB |
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22.3 MB |
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29.7 MB |
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23.4 MB |
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35.6 MB |
050 Adding, removing, deleting, and resetting serial nodes.mp4 |
17.9 MB |
051 Node macros - The Add Splitter Combiner Node and Add Outside Node commands.mp4 |
19.8 MB |
052 Specialty nodes - The Layer Mixer and Parallel nodes.mp4 |
31.8 MB |
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19.9 MB |
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19.4 MB |
055 Understanding Resolve's 32-bit image-processing pipeline.mp4 |
11.9 MB |
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17.6 MB |
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29.2 MB |
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12.9 MB |
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17.6 MB |
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20.5 MB |
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10.1 MB |
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9.5 MB |
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6.9 MB |
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18.3 MB |
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13.8 MB |
066 Colorist lingo - Exploring raw and log formats and lookup tables (LUTs).mp4 |
19.3 MB |
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30.4 MB |
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30.2 MB |
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28.3 MB |
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20.2 MB |
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26.1 MB |
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15.4 MB |
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17.2 MB |
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28.4 MB |
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22.2 MB |
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25.3 MB |
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32.8 MB |
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10.0 MB |
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19.1 MB |
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21.5 MB |
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31.0 MB |
082 Understanding the Hue, Saturation, Luminance (HSL) keyer.mp4 |
42.7 MB |
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13.0 MB |
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8.1 MB |
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32.4 MB |
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19.6 MB |
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41.1 MB |
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15.8 MB |
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22.7 MB |
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10.8 MB |
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14.2 MB |
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35.0 MB |
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30.8 MB |
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30.7 MB |
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15.2 MB |
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26.7 MB |
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15.1 MB |
098 Versions - Flipping between multiple color corrections.mp4 |
27.6 MB |
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39.5 MB |
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42.2 MB |
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25.5 MB |
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34.1 MB |
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22.1 MB |
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17.0 MB |
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26.5 MB |
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34.2 MB |
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14.9 MB |
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25.4 MB |
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26.4 MB |
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21.9 MB |
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30.1 MB |
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25.6 MB |
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28.0 MB |
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12.3 MB |
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40.7 MB |
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38.1 MB |
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28.3 MB |
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29.9 MB |
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40.9 MB |
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12.3 MB |
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36.4 MB |
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23.0 MB |
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28.6 MB |
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40.6 MB |
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25.2 MB |
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34.5 MB |
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31.6 MB |
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23.4 MB |
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18.8 MB |
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20.9 MB |
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13.9 MB |
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18.3 MB |
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25.6 MB |
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17.0 MB |
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10.6 MB |
/DaVinci-Resolve-tutorials_DaVinci-Resolve-Guru-Mastering-Scopes_37243/ |
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47.3 MB |
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37.8 MB |
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25.0 MB |
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28.9 MB |
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40.5 MB |
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36.2 MB |
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36.8 MB |
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42.2 MB |
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41.8 MB |
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30.2 MB |
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21.8 MB |
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34.6 MB |
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54.9 MB |
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40.4 MB |
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51.5 MB |
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32.0 MB |
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23.7 MB |
018 Evaluating contrast and exposure with the RGB Parade.mp4 |
31.3 MB |
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58.1 MB |
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26.6 MB |
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33.2 MB |
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33.5 MB |
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28.4 MB |
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65.6 MB |
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69.4 MB |
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74.1 MB |
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61.4 MB |
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75.5 MB |
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13.4 MB |
/DaVinci-Resolve-tutorials_Shooting-Blackmagic-Cameras_15751/ |
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11.3 MB |
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14.5 MB |
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48.9 MB |
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54.3 MB |
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91.7 MB |
006 The Blackmagic Cinema Camera and Production Camera form factors.mp4 |
151.8 MB |
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30.0 MB |
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80.7 MB |
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62.2 MB |
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38.8 MB |
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94.6 MB |
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32.7 MB |
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27.6 MB |
014 Selection criteria for Micro Four Thirds (MFT) lenses.mp4 |
63.5 MB |
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35.7 MB |
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57.0 MB |
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84.2 MB |
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37.9 MB |
019 Using SSDs with the Cinema Camera and Production Camera.mp4 |
50.9 MB |
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34.2 MB |
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43.1 MB |
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11.1 MB |
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23.7 MB |
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17.5 MB |
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21.3 MB |
026 Understanding the American Standards Association (ASA) reference.mp4 |
46.7 MB |
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38.9 MB |
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47.4 MB |
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63.7 MB |
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80.5 MB |
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42.3 MB |
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35.2 MB |
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28.2 MB |
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85.5 MB |
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21.6 MB |
036 Shooting with a video dynamic range vs. a film dynamic range.mp4 |
34.6 MB |
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16.9 MB |
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29.2 MB |
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27.8 MB |
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27.0 MB |
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18.3 MB |
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28.8 MB |
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29.1 MB |
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32.6 MB |
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50.7 MB |
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141.2 MB |
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15.5 MB |
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18.2 MB |
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60.3 MB |
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32.2 MB |
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50.4 MB |
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16.1 MB |
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10.5 MB |
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34.4 MB |
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39.8 MB |
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48.8 MB |
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42.5 MB |
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35.4 MB |
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50.7 MB |
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38.4 MB |
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13.1 MB |
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48.4 MB |
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14.2 MB |
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55.5 MB |
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30.8 MB |
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34.4 MB |
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52.5 MB |
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27.1 MB |
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50.1 MB |
070 Recording format options with the Blackmagic Studio Camera.mp4 |
29.9 MB |
071 Where does the Blackmagic Studio Camera fit in a production workflow.mp4 |
35.2 MB |
072 Essential menu choices for the Blackmagic Studio Camera.mp4 |
91.9 MB |
073 Challenges of working with the Blackmagic Studio Camera.mp4 |
29.2 MB |
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9.3 MB |
/Edge-Animate-tutorials_Web-Motion-Beginners-Animate-CSS-Sprite-Sheet_14911/ |
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16.1 MB |
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4.8 MB |
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14.6 MB |
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15.8 MB |
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22.4 MB |
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7.0 MB |
/Edge-Animate-tutorials_Web-Motion-Beginners-Create-Animated-Banner-Ad_14911/ |
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17.0 MB |
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13.5 MB |
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13.7 MB |
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18.4 MB |
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12.5 MB |
/Edge-Animate-tutorials_Web-Motion-Beginners-Create-Parallax-Effect_14912/ |
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15.1 MB |
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19.3 MB |
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22.1 MB |
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10.5 MB |
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30.0 MB |
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19.6 MB |
/Edge-Animate-tutorials_Web-Motion-Beginners-Final-Project_16757/ |
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7.6 MB |
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12.7 MB |
003 Create an image in Photoshop that will loop in Edge Animate.mp4 |
14.9 MB |
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7.0 MB |
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22.9 MB |
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17.5 MB |
/Elements-tutorials_Up-Running-Premiere-Elements-12_15517/ |
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10.6 MB |
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4.4 MB |
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20.2 MB |
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3.3 MB |
005 Download from a hard drive or storage-based camcorder.mp4 |
11.9 MB |
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11.6 MB |
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4.8 MB |
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28.3 MB |
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18.7 MB |
010 Editing on the Quick view vs. editing in Expert view.mp4 |
15.1 MB |
011 Adding, slicing, and trimming clips and performing ripple edits.mp4 |
14.8 MB |
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9.8 MB |
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15.1 MB |
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12.9 MB |
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9.6 MB |
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22.5 MB |
017 Speeding up or slowing down video segments with Time Remapping.mp4 |
19.6 MB |
018 Using the Motion Tracking tool to link a graphic to an object in your video.mp4 |
19.4 MB |
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22.3 MB |
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24.8 MB |
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21.5 MB |
022 Adjusting your video's color tone with the Auto Smart Tone tool.mp4 |
8.3 MB |
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15.6 MB |
024 Applying effects and adjustments using adjustment layers.mp4 |
9.5 MB |
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14.8 MB |
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26.2 MB |
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11.3 MB |
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17.9 MB |
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23.5 MB |
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13.8 MB |
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22.7 MB |
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20.5 MB |
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18.5 MB |
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11.6 MB |
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22.3 MB |
036 Adding a 'special features' video to your DVD or Blu-ray.mp4 |
11.8 MB |
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17.6 MB |
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9.6 MB |
039 Uploading to Adobe Revel and uploading from the Organizer.mp4 |
10.6 MB |
040 Outputting your movie for viewing on a portable device.mp4 |
8.2 MB |
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6.6 MB |
/Elements-tutorials_Up-Running-Premiere-Elements-13_17571/ |
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8.9 MB |
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2.6 MB |
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13.1 MB |
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5.9 MB |
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12.5 MB |
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13.8 MB |
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10.7 MB |
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16.8 MB |
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12.2 MB |
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13.1 MB |
011 Adding, splitting, and trimming clips on your timeline.mp4 |
17.1 MB |
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8.9 MB |
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9.8 MB |
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10.5 MB |
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8.9 MB |
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17.3 MB |
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23.1 MB |
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14.0 MB |
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18.6 MB |
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25.4 MB |
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20.9 MB |
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21.4 MB |
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20.9 MB |
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13.0 MB |
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11.5 MB |
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10.0 MB |
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11.4 MB |
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22.8 MB |
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21.3 MB |
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16.6 MB |
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18.3 MB |
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19.6 MB |
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10.9 MB |
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21.8 MB |
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22.6 MB |
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22.4 MB |
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9.0 MB |
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24.5 MB |
039 Adding a 'special feature' video to your DVD or Blu-ray disc.mp4 |
13.5 MB |
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19.1 MB |
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17.9 MB |
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19.0 MB |
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11.4 MB |
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11.2 MB |
/Elements-tutorials_Up-Running-Premiere-Elements-14_42471/ |
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7.5 MB |
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4.1 MB |
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15.6 MB |
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18.4 MB |
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7.2 MB |
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14.0 MB |
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14.3 MB |
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25.0 MB |
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21.9 MB |
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13.5 MB |
011 Adding, slicing and trimming clips, and performing ripple edits.mp4 |
26.0 MB |
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16.4 MB |
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15.4 MB |
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16.4 MB |
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12.8 MB |
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19.0 MB |
017 Speeding up or slowing down video segments with Time Remapping.mp4 |
18.5 MB |
018 Using the Motion Tracking tool to link a graphic to an object in your video.mp4 |
21.4 MB |
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17.4 MB |
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22.8 MB |
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26.3 MB |
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23.1 MB |
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14.4 MB |
024 Adjusting your video's color tone with the Auto Smart Tone tool.mp4 |
9.3 MB |
025 Changing your movie's look and feel with Hollywood Looks.mp4 |
11.4 MB |
026 Applying effects and adjustments using adjustment layers.mp4 |
12.4 MB |
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16.0 MB |
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15.7 MB |
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19.0 MB |
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17.1 MB |
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18.9 MB |
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19.4 MB |
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28.9 MB |
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15.1 MB |
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15.8 MB |
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20.9 MB |
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20.6 MB |
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15.6 MB |
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20.1 MB |
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21.8 MB |
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15.2 MB |
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11.7 MB |
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16.4 MB |
044 Uploading to social media sites from the Organizer [optional].mp4 |
11.3 MB |
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10.0 MB |
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10.2 MB |
/Filmmaking-tutorials_Script-Writing-Nonfiction-Video_39736/ |
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4.0 MB |
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13.2 MB |
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11.5 MB |
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13.3 MB |
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20.0 MB |
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10.2 MB |
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7.3 MB |
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27.2 MB |
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42.4 MB |
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32.8 MB |
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27.9 MB |
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31.9 MB |
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26.7 MB |
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17.5 MB |
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19.1 MB |
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24.4 MB |
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19.4 MB |
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7.2 MB |
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14.3 MB |
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19.8 MB |
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10.0 MB |
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13.3 MB |
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9.9 MB |
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17.4 MB |
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28.5 MB |
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15.8 MB |
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8.2 MB |
/Final-Cut-Pro-tutorials_Audio-Post-Workflow-Final-Cut-Pro-X-v101x-Pro-Tools_19133/ |
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7.0 MB |
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4.1 MB |
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15.7 MB |
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7.0 MB |
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13.2 MB |
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6.7 MB |
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5.8 MB |
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15.5 MB |
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25.4 MB |
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10.2 MB |
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12.0 MB |
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18.1 MB |
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16.6 MB |
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16.3 MB |
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9.8 MB |
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11.2 MB |
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1.8 MB |
/Final-Cut-Pro-tutorials_Commercial-Editing-Techniques-Final-Cut-Pro-X-v101x_19133/ |
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11.5 MB |
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15.0 MB |
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4.1 MB |
004 Getting involved early - The editor's role in pre-production.mp4 |
6.5 MB |
005 Branding - Understanding product audience and intent.mp4 |
5.3 MB |
006 Examining pre-visualization materials - The script and storyboard.mp4 |
11.4 MB |
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9.2 MB |
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15.1 MB |
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10.6 MB |
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17.4 MB |
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15.7 MB |
012 Creating subsequences to experiment and flesh out content.mp4 |
29.3 MB |
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18.6 MB |
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17.6 MB |
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16.2 MB |
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19.6 MB |
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24.7 MB |
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18.2 MB |
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26.1 MB |
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32.0 MB |
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14.0 MB |
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7.9 MB |
/Final-Cut-Pro-tutorials_DSLR-Video-Tips_10370/ |
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30.2 MB |
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49.1 MB |
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85.4 MB |
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64.1 MB |
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56.3 MB |
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69.5 MB |
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57.4 MB |
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50.7 MB |
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63.4 MB |
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51.2 MB |
012 Understanding how DSLR viewfinders react when recording video.mp4 |
29.9 MB |
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94.9 MB |
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57.6 MB |
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60.2 MB |
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46.4 MB |
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64.0 MB |
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122.1 MB |
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91.3 MB |
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086 What type of microphone should I use for run-and-gun shooting.mp4 |
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090 What type of microphone should I use for an interview.mp4 |
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349 Determining the position of the sun or moon with Focalware.mp4 |
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31.9 MB |
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015 Combining primary story segments into a primary storyline.mp4 |
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009 Organizing and screening interview and B-roll footage.mp4 |
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29.4 MB |
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29.1 MB |
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25.3 MB |
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57.1 MB |
016 Combining primary story segments into a primary storyline.mp4 |
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016 Creating project versions and developing story diversity.mp4 |
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024 Organizing separate story segments into independent storylines.mp4 |
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027 Changing pitch in a temporary narration track to identify different characters.mp4 |
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029 Embellishing the story with cutaways to B-roll footage.mp4 |
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27.6 MB |
005 Understanding file structure in Final Cut Pro (FCP) X.mp4 |
8.9 MB |
006 Understanding how FCP X works - Story-line-based editing vs. track-based editing.mp4 |
4.6 MB |
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22.7 MB |
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4.8 MB |
010 Updating projects and events from previous versions of FCP X.mp4 |
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15.5 MB |
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17.5 MB |
016 Playing, marking, and subclipping shots in preparation for editing.mp4 |
26.1 MB |
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27.7 MB |
018 Making the first edits - Using Insert and Append edits.mp4 |
23.4 MB |
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26.3 MB |
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10.4 MB |
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15.5 MB |
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13.2 MB |
023 Understanding timeline navigation - Snapping, skimming, zooming, and panning..mp4 |
18.0 MB |
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27.0 MB |
025 Manipulating transitions and creating split edits - Using the Roll tool.mp4 |
15.7 MB |
026 Changing clip content and position - Performing Slip and Slide edits.mp4 |
15.6 MB |
027 Using the Precision Editor for fine trimming control.mp4 |
11.6 MB |
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33.0 MB |
029 Understanding features and limitations of connected clips.mp4 |
16.4 MB |
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14.4 MB |
031 Adjusting audio level and channel configuration via the Inspector.mp4 |
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19.0 MB |
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16.7 MB |
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13.3 MB |
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9.6 MB |
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10.7 MB |
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20.0 MB |
038 Performing quick extractions using Top and Tail edits.mp4 |
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13.2 MB |
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22.1 MB |
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13.1 MB |
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11.6 MB |
045 Working with basic motion effects - Transform, Crop, and Distort.mp4 |
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15.4 MB |
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9.1 MB |
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24.4 MB |
064 Performing secondary color correction with color masks.mp4 |
12.5 MB |
065 Performing color correction adjustments using shape masks.mp4 |
10.9 MB |
066 Taking a closer look at the import and analysis options.mp4 |
12.3 MB |
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10.5 MB |
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5.1 MB |
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11.4 MB |
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7.6 MB |
071 Managing events and libraries between different drives and destinations.mp4 |
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003 What version of Final Cut Pro (FCP) X does this course cover.mp4 |
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29.8 MB |
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15.6 MB |
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32.7 MB |
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28.7 MB |
008 Using the FCP X quick start and relinking your files.mp4 |
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10.6 MB |
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22.9 MB |
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30.3 MB |
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36.3 MB |
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35.9 MB |
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23.3 MB |
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28.1 MB |
024 Making the first edits - Using Insert and Append edits.mp4 |
25.6 MB |
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43.5 MB |
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21.4 MB |
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36.6 MB |
028 Moving clips - Swapping, splitting, and nudging shots.mp4 |
23.7 MB |
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16.6 MB |
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26.2 MB |
031 Trimming clips - Using the Ripple tool to extend edits.mp4 |
29.1 MB |
032 Manipulating transitions and creating split edits - Using the Roll tool.mp4 |
30.8 MB |
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12.1 MB |
034 Changing shot content and position - Performing Slip and Slide edits.mp4 |
22.1 MB |
035 Using the Precision Editor for fine trimming control.mp4 |
15.4 MB |
036 Understanding the features and limitations of connected clips.mp4 |
19.7 MB |
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12.1 MB |
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45.5 MB |
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20.1 MB |
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21.3 MB |
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25.8 MB |
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32.6 MB |
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15.3 MB |
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13.6 MB |
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22.4 MB |
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18.8 MB |
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20.0 MB |
052 Working with basic motion effects - Transform, Crop, and Distort.mp4 |
28.0 MB |
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25.9 MB |
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27.6 MB |
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20.7 MB |
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21.5 MB |
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23.0 MB |
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18.5 MB |
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37.9 MB |
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12.5 MB |
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14.0 MB |
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29.8 MB |
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19.7 MB |
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16.2 MB |
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10.5 MB |
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35.4 MB |
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18.8 MB |
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12.9 MB |
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22.3 MB |
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29.6 MB |
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26.9 MB |
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25.3 MB |
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12.2 MB |
074 Exporting a hi-res QuickTime movie with chapter markers.mp4 |
25.1 MB |
075 Exporting projects for the web, Apple devices, and DVD.mp4 |
20.1 MB |
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7.5 MB |
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17.9 MB |
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5.4 MB |
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20.3 MB |
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16.9 MB |
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11.2 MB |
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2.8 MB |
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4.9 MB |
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3.8 MB |
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4.2 MB |
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23.4 MB |
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17.5 MB |
008 Evaluating a shot with video scopes and fixing contrast.mp4 |
13.3 MB |
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16.7 MB |
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12.4 MB |
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9.1 MB |
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12.4 MB |
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8.7 MB |
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8.8 MB |
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10.8 MB |
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9.8 MB |
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13.3 MB |
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10.8 MB |
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6.7 MB |
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24.6 MB |
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28.3 MB |
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10.7 MB |
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9.5 MB |
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18.0 MB |
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10.7 MB |
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16.5 MB |
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14.3 MB |
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17.3 MB |
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3.9 MB |
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18.2 MB |
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5.2 MB |
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4.3 MB |
004 Using the Mac help menu and Final Cut Pro Command Editor to help you learn shortcuts.mp4 |
8.0 MB |
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6.9 MB |
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10.4 MB |
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6.7 MB |
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12.8 MB |
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8.5 MB |
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6.5 MB |
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7.3 MB |
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12.9 MB |
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12.1 MB |
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9.0 MB |
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17.2 MB |
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7.5 MB |
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9.0 MB |
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12.4 MB |
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7.7 MB |
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9.0 MB |
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3.6 MB |
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10.3 MB |
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11.1 MB |
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9.0 MB |
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13.2 MB |
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13.2 MB |
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11.3 MB |
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8.4 MB |
029 Zooming in on the timeline and fitting to the window.mp4 |
5.2 MB |
030 Moving to the beginning, end, and between clips on the timeline.mp4 |
6.9 MB |
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6.8 MB |
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9.3 MB |
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18.8 MB |
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11.1 MB |
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7.4 MB |
036 Appending, inserting, and connecting from the media library.mp4 |
13.0 MB |
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7.8 MB |
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4.8 MB |
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13.1 MB |
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4.3 MB |
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3.2 MB |
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17.5 MB |
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3.7 MB |
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4.0 MB |
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7.8 MB |
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11.7 MB |
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9.2 MB |
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9.2 MB |
008 The benefits of working with proxy or optimized media.mp4 |
9.8 MB |
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13.5 MB |
010 Modifying metadata views and entering angle information.mp4 |
7.6 MB |
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9.5 MB |
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10.1 MB |
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9.7 MB |
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8.8 MB |
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19.7 MB |
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18.1 MB |
017 Creating a multicam clip using angle assembly, markers, and audio sync.mp4 |
18.7 MB |
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23.6 MB |
019 Editing a multicam music video using keyboard shortcuts.mp4 |
14.6 MB |
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13.8 MB |
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16.4 MB |
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17.8 MB |
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13.4 MB |
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9.0 MB |
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13.8 MB |
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4.2 MB |
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16.0 MB |
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4.4 MB |
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5.1 MB |
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7.2 MB |
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6.0 MB |
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8.7 MB |
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10.2 MB |
008 Determining the best import method for your workflow.mp4 |
7.4 MB |
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9.2 MB |
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16.4 MB |
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10.4 MB |
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10.3 MB |
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8.4 MB |
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9.9 MB |
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12.2 MB |
016 Dragging and dropping files into FCP X and import settings.mp4 |
7.8 MB |
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035 Descriptions and tags for export and online distribution.mp4 |
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021 Sending media to PluralEyes in a timeline from Final Cut Pro X.mp4 |
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022 Working with the Custom 3D title template for animation.mp4 |
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044 Applying multiple effects and switching effect order.mp4 |
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006 An editor's opinion - Getting the interface to work for you.mp4 |
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010 An editor's opinion - Getting the most out of ingest.mp4 |
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28.8 MB |
012 How keywords are different and more powerful than bins.mp4 |
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015 What happened to the viewer and how to best play clips.mp4 |
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018 An editor's opinion - When to use thumbnails vs. lists.mp4 |
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023 Using Audition means multiple clips in the same place.mp4 |
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027 Cutting down clips quickly with trim start_end (Tops and Tails).mp4 |
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043 Three-way color corrector is gone - Understanding the color board.mp4 |
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045 Exporting - Using the Share menu and how to send to Compressor.mp4 |
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048 Some best practices for drives and a shared environment.mp4 |
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004 Starting a new project and creating your first sequence.mp4 |
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005 Mercury Playback Engine benefits, system design, and minimal rendering.mp4 |
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013 Source tracks, patches, drag-and-drop editorial, and Timeline navigation.mp4 |
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017 Match Frame, Reverse Match Frame, and Reveal in Project.mp4 |
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018 Adjusting track height and using the Timeline track presets.mp4 |
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021 Using freeze frames and adjusting the speed of clips on the Timeline.mp4 |
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023 Using the Razor Blade and track tools - Quickly cutting and moving footage.mp4 |
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029 Editing effects using the Effects Control panel, to customize transitions.mp4 |
12.1 MB |
030 Speed bump - Adjusting raw clip volume and understanding gain.mp4 |
11.0 MB |
031 Adjusting clip levels in the Timeline and the Effects Control panel.mp4 |
12.3 MB |
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035 Understanding the Audio Track Mixer and using it for effects.mp4 |
22.3 MB |
036 The effect panels, the Mercury Playback Engine, and Acceleration.mp4 |
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049 Exporting media and queuing through Adobe Media Encoder.mp4 |
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055 Understanding Enable Smart Rendering Codec for super-fast exports.mp4 |
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3.0 MB |
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006 Corner pinning and masking techniques in Premiere Pro.mp4 |
22.6 MB |
007 Corner pinning and masking techniques in Final Cut Pro X.mp4 |
22.8 MB |
008 Introduction to creating tracer and ghosting effects.mp4 |
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015 Creating custom metadata fields and views in Premiere Pro.mp4 |
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16.3 MB |
017 Introduction to using adjustment layers in Final Cut Pro X.mp4 |
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024 Accessing modified parameter controls in Premiere Pro.mp4 |
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13.1 MB |
026 Accessing modified parameter controls in Avid Media Composer.mp4 |
19.8 MB |
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3.5 MB |
028 Migrating sequences (from Avid, FCP X, or Resolve) to Premiere Pro.mp4 |
28.5 MB |
029 Migrating sequences (from Avid, Premiere, or Resolve) to FCP X.mp4 |
22.5 MB |
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2.5 MB |
031 Manipulating default transition behaviors in Premiere Pro.mp4 |
14.7 MB |
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13.4 MB |
033 Introduction to bidirectional trimming to overlap dialogue.mp4 |
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10.8 MB |
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12.6 MB |
036 Performing bidirectional trims in Avid Media Composer.mp4 |
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039 Smart workspace customization in Avid Media Composer.mp4 |
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056 Introduction to clip linking and unlinking strategies.mp4 |
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057 Clip linking and unlinking strategies in Premiere Pro.mp4 |
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060 Beating out a music track in Premiere using Automate to Sequence.mp4 |
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070 Introduction to dynamic linking between Premiere Pro and After Effects.mp4 |
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071 Exploring Dynamic Link techniques between Premiere Pro and After Effects.mp4 |
13.2 MB |
072 Exploring more Dynamic Link techniques between Premiere Pro and After Effects.mp4 |
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089 Automatic color correction techniques in Premiere Pro.mp4 |
23.7 MB |
090 Automatic color correction techniques in Avid Media Composer.mp4 |
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115 All about Auditions - Editing and modifying auditioned clips.mp4 |
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116 All about Auditions - Using auditions to work with effects.mp4 |
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126 Trimming to manipulate shot speed in Final Cut Pro X.mp4 |
36.3 MB |
127 Introduction to using blend modes to correct underexposure problems.mp4 |
1.7 MB |
128 Using blend modes to correct underexposure in Premiere Pro.mp4 |
34.2 MB |
129 Using blend modes to correct underexposure in Final Cut Pro X.mp4 |
23.9 MB |
130 Introduction to using blend modes to correct overexposure.mp4 |
1.8 MB |
131 Using blend modes to correct overexposure in Premiere Pro.mp4 |
22.6 MB |
132 Using blend modes to correct overexposure in Final Cut Pro X.mp4 |
25.0 MB |
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1.9 MB |
134 Using search and filter tools in Premiere Pro v. 2014.1.mp4 |
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020 Merging the explosion and debris over the background.mp4 |
23.4 MB |
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28.4 MB |
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26.7 MB |
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26.3 MB |
015 Creating a new project and importing source video files.mp4 |
19.9 MB |
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25.1 MB |
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028 Understanding the GoPro CineForm codec's active metadata.mp4 |
16.5 MB |
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12.6 MB |
030 Previewing time-lapse sequences in the player window.mp4 |
5.9 MB |
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011 Using GoPro time lapses to document the day at the farm.mp4 |
52.8 MB |
012 Getting motion shots by mounting the GoPro to a tractor.mp4 |
74.1 MB |
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53.9 MB |
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62.9 MB |
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18.0 MB |
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42.4 MB |
018 Using the GoPro for an interview, and lessons learned.mp4 |
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012 Removing distortion with lens profiles in Adobe Photoshop.mp4 |
22.1 MB |
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39.2 MB |
014 Using adaptive wide-angle controls to remove distortion in an image.mp4 |
30.7 MB |
015 Using adaptive wide-angle controls to remove distortion in video footage.mp4 |
8.4 MB |
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20.9 MB |
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8.4 MB |
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14.0 MB |
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14.1 MB |
020 Improving exposure by using blending modes to combine multiple images.mp4 |
19.9 MB |
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24.9 MB |
022 Using Adobe Camera Raw to fix exposure for raw files.mp4 |
23.3 MB |
023 Using Adobe Camera Raw to fix exposure for JPEG files.mp4 |
20.0 MB |
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12.1 MB |
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16.5 MB |
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29.2 MB |
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16.7 MB |
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41.2 MB |
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26.5 MB |
032 Enlarging action-camera images with Adobe technology.mp4 |
20.2 MB |
033 Enlarging action-camera images with third-party technology.mp4 |
19.0 MB |
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045 Adding movement and exporting a time lapse from Photoshop.mp4 |
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032 Exporting a time-lapse sequence from Adobe Photoshop CC.mp4 |
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033 Processing a day-to-night time-lapse sequence in LRTimelapse.mp4 |
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034 Processing a day-to-night time-lapse sequence in Lightroom.mp4 |
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035 Refining and exporting the day-to-night time-lapse sequence.mp4 |
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037 Processing a night-to-day time-lapse sequence in Adobe Camera Raw.mp4 |
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040 Cropping, resizing, and retiming shots in Premiere Pro.mp4 |
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020 A workaround for syncing all settings using Photoshop.mp4 |
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059 Using the Y-Waveform monitor to set whites and blacks.mp4 |
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003 Media Composer's licensing options - Own it, rent it, or share it.mp4 |
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020 Creating a basic lower third with the Avid Title tool.mp4 |
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024 Understanding consolidating and transcoding strategies.mp4 |
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026 Working with high-resolution files in Media Composer 8.3.mp4 |
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029 Beginning the edit - Prepping and laying the foundation.mp4 |
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031 Moving shots - Getting the most out of the Smart tool.mp4 |
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039 Using navigation shortcuts and customizing the keyboard.mp4 |
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046 Understanding audio levels, panning, and multichannel configuration.mp4 |
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067 Following a proper color-correction workflow from start to finish.mp4 |
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082 Cleaning up your projects by deleting unreferenced clips.mp4 |
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011 Using RAM preview and audio controls to get smooth preview playback.mp4 |
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045 Color-correcting elements to match within a green screen composite.mp4 |
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003 You've accidentally erased or formatted a memory card.mp4 |
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013 The difference between formatting a card and erasing it.mp4 |
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016 Treating your cards properly - In the computer and in the camera.mp4 |
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032 Assembling a sunrise or sunset time-lapse with LRTimelapse, part 1.mp4 |
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033 Assembling a sunrise or sunset time-lapse with LRTimelapse, part 2.mp4 |
32.9 MB |
034 Assembling a HDR sunrise or sunset time-lapse with Photomatix, part 1.mp4 |
44.1 MB |
035 Assembling a HDR sunrise or sunset time-lapse with Photomatix, part 2.mp4 |
32.5 MB |
036 Assembling an HDR time-lapse with Adobe After Effects and Photoshop.mp4 |
29.7 MB |
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6.0 MB |
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024 Distortion and perspective issues - Upright adjustment.mp4 |
10.8 MB |
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61.7 MB |
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74.3 MB |
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/Photography-DSLR-Video-tutorials_Video-Photographers-01-Filmmaking-Essentials_37499/ |
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27.3 MB |
002 Understanding the traditional steps in video productions.mp4 |
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30.3 MB |
003 Controlling the camera with an advanced intervalometer.mp4 |
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35.0 MB |
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36.5 MB |
027 Developing a single exposure time lapse in Camera Raw.mp4 |
50.6 MB |
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19.6 MB |
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49.6 MB |
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44.6 MB |
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55.2 MB |
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10.6 MB |
/Photoshop-tutorials_Creative-Video-Compositing-Photoshop_14113/ |
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11.5 MB |
007 Applying movement and transformations with keyframes.mp4 |
10.1 MB |
008 Using Smart Objects to perform nondestructive transformations.mp4 |
24.8 MB |
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12.5 MB |
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9.1 MB |
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18.5 MB |
012 Combining multiple clips in one shot using layer masks.mp4 |
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035 Matching color and brightness with adjustment layers.mp4 |
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026 Isolating and reinforcing audio for cleaner recordings.mp4 |
30.5 MB |
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63.7 MB |
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29.9 MB |
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10.4 MB |
006 Overview of integration with Prelude and other Creative Cloud software.mp4 |
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43.4 MB |
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037 Locking the picture and preparing the Timeline for finishing.mp4 |
7.8 MB |
038 Presenting the picture lock to the client and receiving approval.mp4 |
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20.6 MB |
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30.9 MB |
042 Adjusting the title and animations for the best compression.mp4 |
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8.3 MB |
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2.9 MB |
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018 Preparing a simple rough cut in your nonlinear editor.mp4 |
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7.9 MB |
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008 Mastering keyboard-based editing - cut, copy, paste and three-point edits.mp4 |
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004 Picking out colors in your footage to establish a palette for graphics.mp4 |
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/Premiere-Pro-tutorials_Fixing-Video-Exposure-Problems-Premiere-Pro-CC_17172/ |
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66.0 MB |
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44.3 MB |
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56.3 MB |
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61.2 MB |
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49.8 MB |
017 Stabilizing exposure with the Color Stabilizer effect in After Effects.mp4 |
49.7 MB |
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31.4 MB |
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63.0 MB |
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23.7 MB |
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75.5 MB |
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46.5 MB |
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49.1 MB |
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51.1 MB |
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30.0 MB |
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41.6 MB |
027 Neutralizing color with the CC Color Neutralizer in After Effects.mp4 |
41.7 MB |
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90.1 MB |
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45.8 MB |
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39.6 MB |
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20.5 MB |
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40.1 MB |
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56.0 MB |
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42.2 MB |
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40.4 MB |
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20.4 MB |
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14.5 MB |
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78.5 MB |
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20.7 MB |
/Premiere-Pro-tutorials_Getting-Started-Premiere-Pro-CC-2015_43406/ |
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12.3 MB |
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11.4 MB |
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18.3 MB |
004 Which version of Premiere Pro CC does this course cover.mp4 |
7.6 MB |
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29.8 MB |
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6.5 MB |
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29.1 MB |
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38.1 MB |
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/Premiere-Pro-tutorials_Introduction-Video-Color-Correction_17905/ |
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49.0 MB |
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31.1 MB |
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19.3 MB |
011 Getting set up with video scopes and the right environment.mp4 |
20.6 MB |
012 Setting black and white values using the Y Waveform video scope.mp4 |
27.7 MB |
013 Removing color casts using the RGB Parade video scope.mp4 |
23.7 MB |
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28.5 MB |
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24.3 MB |
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21.7 MB |
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15.5 MB |
018 Sharing corrections between shots with templates and presets.mp4 |
24.3 MB |
019 Understanding style application in each editing software.mp4 |
19.3 MB |
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34.3 MB |
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19.1 MB |
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15.7 MB |
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18.6 MB |
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21.5 MB |
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17.2 MB |
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22.2 MB |
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26.3 MB |
028 Using and tracking mattes to isolate color correction effects.mp4 |
11.8 MB |
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10.4 MB |
/Premiere-Pro-tutorials_Introduction-Video-Dialogue-Editing_38258/ |
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33.9 MB |
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36.5 MB |
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44.9 MB |
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80.8 MB |
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54.1 MB |
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6.2 MB |
/Premiere-Pro-tutorials_Introduction-Video-Editing_19383/ |
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6.9 MB |
004 What is an editor's role in the storytelling process.mp4 |
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31.5 MB |
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2.1 MB |
013 Understanding the similarities among all editing applications.mp4 |
19.0 MB |
014 Understanding differences between track-based editing vs. storyline-based editing.mp4 |
10.7 MB |
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18.7 MB |
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32.1 MB |
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36.2 MB |
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40.8 MB |
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17.3 MB |
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13.9 MB |
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4.7 MB |
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10.4 MB |
/Premiere-Pro-tutorials_Narrative-Scene-Editing-Premiere-Pro_11242/ |
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9.3 MB |
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3.0 MB |
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166.2 MB |
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10.3 MB |
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19.9 MB |
006 Refining organization using the script and shooting notes.mp4 |
24.0 MB |
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14.3 MB |
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19.3 MB |
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14.3 MB |
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8.8 MB |
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5.9 MB |
012 Framing the scene - Sequencing shots to build a rough cut.mp4 |
13.3 MB |
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12.2 MB |
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19.6 MB |
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22.1 MB |
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19.9 MB |
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10.3 MB |
018 Building a quick montage rough cut using the Automate to Sequence tool.mp4 |
19.2 MB |
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20.6 MB |
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15.7 MB |
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26.5 MB |
022 Working with audio to continue building the flashback scene.mp4 |
27.0 MB |
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31.3 MB |
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17.0 MB |
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12.6 MB |
026 Using the Creative Suite tools - Roundtrip to After Effects via Dynamic Link.mp4 |
13.5 MB |
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16.8 MB |
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3.2 MB |
/Premiere-Pro-tutorials_Premiere-Pro-2015-Creative-Cloud-Updates_37973/ |
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22.3 MB |
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20.2 MB |
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7.4 MB |
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5.0 MB |
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5.2 MB |
006 Improving the user interface with new appearance preferences.mp4 |
5.4 MB |
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6.5 MB |
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5.3 MB |
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3.2 MB |
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7.1 MB |
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4.8 MB |
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10.1 MB |
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12.9 MB |
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9.1 MB |
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10.8 MB |
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10.4 MB |
021 Assigning track output assignments from the timeline.mp4 |
17.1 MB |
022 Assigning track output assignments from the Track Mixer.mp4 |
15.8 MB |
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8.8 MB |
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10.0 MB |
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6.0 MB |
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21.8 MB |
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11.5 MB |
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5.4 MB |
038 Enhanced motion effects with the improved anchor point controls.mp4 |
21.5 MB |
039 Controlling clips with source settings in the Effect Controls panel.mp4 |
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055 When to use touch and gesture support (and supported devices).mp4 |
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9.8 MB |
062 Understanding playback and render quality for Optical Flow.mp4 |
9.2 MB |
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8.3 MB |
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18.4 MB |
065 Showing sequence timecode in Markers panel for clip markers.mp4 |
7.1 MB |
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10.0 MB |
067 Haptic feedback for the Apple's Force Touch trackpads.mp4 |
8.6 MB |
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8.7 MB |
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5.9 MB |
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19.5 MB |
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12.5 MB |
072 Ability to arrange multicam angles across multiple pages.mp4 |
10.5 MB |
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6.5 MB |
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8.2 MB |
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14.9 MB |
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7.9 MB |
077 Video limiter and loudness normalization added to Export.mp4 |
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10.4 MB |
082 Project panel thumbnails show master effects applied.mp4 |
9.1 MB |
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14.0 MB |
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12.3 MB |
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10.5 MB |
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12.7 MB |
005 Which version of Premiere Pro CC does this course cover.mp4 |
4.5 MB |
006 What's new in Premiere Pro CC 2014.1 - Interface, organization, and structure changes.mp4 |
24.8 MB |
007 What's new in Premiere Pro CC 2014.1 - Effects changes.mp4 |
31.8 MB |
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11.9 MB |
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27.0 MB |
010 Going a bit deeper into the editing tools and layouts.mp4 |
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13.3 MB |
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22.5 MB |
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9.4 MB |
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7.6 MB |
023 Identifying and organizing media in the Project pane.mp4 |
28.2 MB |
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23.4 MB |
025 Playing and marking shots in preparation for editing.mp4 |
26.7 MB |
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11.4 MB |
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10.3 MB |
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11.5 MB |
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19.3 MB |
030 Performing overwrite edits and understanding three-point editing.mp4 |
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21.5 MB |
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19.7 MB |
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13.1 MB |
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16.3 MB |
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12.4 MB |
036 Changing clip content and position - Performing slip and slide edits.mp4 |
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14.1 MB |
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12.1 MB |
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19.6 MB |
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8.9 MB |
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8.3 MB |
047 Performing searches and creating search bins (CC 2014.1).mp4 |
18.4 MB |
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21.8 MB |
049 Taking a look at Dynamic Link and round-tripping in the Adobe Creative Suite.mp4 |
12.0 MB |
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28.9 MB |
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16.4 MB |
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12.5 MB |
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6.6 MB |
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17.4 MB |
059 Working with layered Photoshop documents in Premiere Pro and Photoshop.mp4 |
12.8 MB |
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12.7 MB |
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17.1 MB |
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18.1 MB |
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12.8 MB |
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26.2 MB |
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072 Using Dynamic Link to work with Premiere Pro clips in After Effects.mp4 |
13.2 MB |
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13.0 MB |
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13.6 MB |
075 Using the Rate Stretch tool to make clips faster or slower.mp4 |
13.8 MB |
076 Working with the Clip Speed_Duration window to make precise speed changes.mp4 |
21.0 MB |
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16.1 MB |
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5.9 MB |
079 Taking a brief look at the different color correction tools in Premiere Pro.mp4 |
22.5 MB |
080 Following a proper color correction workflow using the Three-Way Color Corrector.mp4 |
29.4 MB |
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8.7 MB |
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14.4 MB |
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22.3 MB |
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005 Which version of Premiere Pro CC does this course cover.mp4 |
7.6 MB |
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43.1 MB |
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14.6 MB |
009 Launching Premiere Pro and starting a project (new Start Screen).mp4 |
14.8 MB |
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27.9 MB |
011 Going a bit deeper into the editing tools and layouts.mp4 |
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10.5 MB |
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027 Playing and marking shots in preparation for editing.mp4 |
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034 Reviewing timeline navigation and clip selection techniques.mp4 |
16.3 MB |
035 Editing use Touch and Gesture Controls and Drop Zones in Premiere.mp4 |
29.7 MB |
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19.9 MB |
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13.5 MB |
038 Changing clip content and position - Slipping and sliding edits.mp4 |
23.3 MB |
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10.8 MB |
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21.5 MB |
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25.9 MB |
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14.5 MB |
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8.6 MB |
050 Using the Adobe Stock Libraries in Premiere Pro v. 9.1.mp4 |
25.8 MB |
051 Taking a look at Dynamic Link and round-tripping in the Creative Suite.mp4 |
9.7 MB |
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19.7 MB |
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33.9 MB |
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073 Using Dynamic Link to work with Premiere Pro clips in After Effects.mp4 |
16.1 MB |
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18.5 MB |
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15.6 MB |
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11.6 MB |
077 Using the Clip Speed_Duration window for precise speed changes.mp4 |
12.9 MB |
078 Making variable speed changes with the Time Remapping tool.mp4 |
21.1 MB |
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13.4 MB |
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28.3 MB |
081 Following a proper color correction workflow using the Lumetri color toolset.mp4 |
40.7 MB |
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20.3 MB |
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27.0 MB |
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007 Exploring the different ways to drive Premiere Pro CS6.mp4 |
8.7 MB |
008 Understanding system configuration and the Mercury Playback Engine.mp4 |
5.8 MB |
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9.1 MB |
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020 Moving clips in the Timeline and performing a swap edit.mp4 |
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034 Locating and working with different versions of a clip using Match Frame.mp4 |
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052 Working with still and animated graphics with transparency.mp4 |
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060 Setting default transitions and applying multiple transitions.mp4 |
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002 Improved performance when scrubbing long-GOP (group of pictures) footage.mp4 |
15.8 MB |
003 New support for QuickTime and CineForm codecs for previews on Windows.mp4 |
50.6 MB |
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48.3 MB |
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28.4 MB |
006 Removal of speech analysis and how to access the speech-analysis tool.mp4 |
49.7 MB |
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045 Shortcut changes for stepping forward and backward through frames.mp4 |
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054 Cleaning up effects and transitions for Mac-Windows parity.mp4 |
20.2 MB |
055 Preserving intrinsics and effects when flattening a multicam sequence.mp4 |
20.8 MB |
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53.8 MB |
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084 Toggle focus between the Source and Program Monitors.mp4 |
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091 Finding new technology with the Adobe Exchange panel.mp4 |
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104 Improved time-lapse support when adding clips to a sequence.mp4 |
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7.9 MB |
107 Working with scrollable track heights and creating track height presets.mp4 |
6.5 MB |
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125 Set focus to the Timeline after inserting or overwriting edits.mp4 |
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131 Displaying the project bin structure in the Media Browser.mp4 |
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150 Creative color grading with the Lumetri Color Engine.mp4 |
16.0 MB |
151 Creating review copies with the Clip Name and Timecode effects.mp4 |
9.8 MB |
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155 Copying and pasting transitions to multiple edit points.mp4 |
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178 Streamlining H.264 and MPEG2 encoding with matched encoding settings.mp4 |
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005 When to nest and when to use the source - Editing nests into new sequences.mp4 |
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009 What are adjustment layers and why should we use them.mp4 |
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010 Common effects that should be applied using adjustment layers.mp4 |
31.9 MB |
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012 Creating a template project - Saving an adjustment layer.mp4 |
20.5 MB |
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014 Adjusting your footage using primary color corrections.mp4 |
33.8 MB |
015 Adjusting your footage using secondary color corrections.mp4 |
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005 How to use transitions when you don't have enough handle.mp4 |
17.3 MB |
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007 Refining transition position in the Effect Controls panel.mp4 |
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009 Controlling duration, direction, and advanced options.mp4 |
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019 Creating and applying custom gradients from Photoshop.mp4 |
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007 Copying blend modes between Premiere Pro and After Effects.mp4 |
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011 Blending a Look Up Table (LUT) to refine its appearance.mp4 |
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003 Alpha channels - How color and transparency work in video.mp4 |
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004 Two types of alpha channels - Straight and premultiplied.mp4 |
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015 What's the difference between track mattes and masks.mp4 |
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019 Using any color to create a composite with Color Key.mp4 |
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021 Using Luma Key to create a composite based on brightness.mp4 |
6.9 MB |
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6.6 MB |
024 What are blending modes and how to use them effectively.mp4 |
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020 Determining the tempo of the music and the strategy for the edit.mp4 |
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006 Controlling the render order of fixed effects by substituting standard effects.mp4 |
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014 Copying and pasting modified effects with keyframing.mp4 |
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023 Exporting and importing effects within a project file.mp4 |
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006 Combining Lumetri presets with other color corrections.mp4 |
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012 Working with raw and log footage in a Direct Link workflow.mp4 |
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023 Applying looks in the Export Settings dialog and Media Encoder.mp4 |
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030 Achieve precision with a traditional three-point edit.mp4 |
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031 Getting a precise time-stretch edit with a four-point edit.mp4 |
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008 Audio channels together No problem! Separate your audio tracks.mp4 |
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009 Understanding audio meters, dynamic range, and clipping.mp4 |
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014 Understanding automation modes, part 1 - Read, write, touch, and latch.mp4 |
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015 Understanding automation modes, part 2 - Read, write, touch, and latch.mp4 |
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008 Creating sync points with in and out points or markers.mp4 |
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021 Syncing media from a folder and sending the media to Premiere Pro.mp4 |
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013 Using video scopes to analyze brightness and contrast.mp4 |
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023 Developing a look in SpeedGrade to use in Premiere Pro.mp4 |
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036 Creating a reference movie with the timecode burned in.mp4 |
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007 Philosophy and workflow of repairing and enhancing audio.mp4 |
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012 Isolating and cleaning up noise with Spectral Repair.mp4 |
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018 Spectral repairing guitar and roundtripping to Logic Pro X.mp4 |
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003 Working with the new RX Connect to talk with your host DAW.mp4 |
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004 Remove unwanted sound with Spectral Repair over RX Connect.mp4 |
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005 Preserving noisy dialogue with the new real-time Dialogue Denoiser.mp4 |
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006 Exploring new RX 4 advanced features EQ Match and Ambience Match.mp4 |
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003 Grouping multiple nodes and rearranging the nodes in a logical manner.mp4 |
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004 Applying different colors to the mash objects for easier visualization.mp4 |
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006 Understanding the role of the different scene objects in the simulation.mp4 |
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043 Choosing between prime, servo, and manual zoom lenses.mp4 |
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066 Using camera height and POV to better tell your story.mp4 |
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140 Five things you can do when your production stalls out.mp4 |
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157 Understanding the challenges of shooting live events.mp4 |
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120 Sending an HDMI signal out of a camera with Magic Lantern.mp4 |
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006 Importing and organizing media using the MediaHub and Media Library.mp4 |
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014 Importing media from other Smoke projects or Smoke archives.mp4 |
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020 Using overwrite and insert edits to assemble the scene.mp4 |
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029 Using the Axis effect to apply a matte to a clip and place it in a scene.mp4 |
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032 Keying green-screen media to preview the comp using Axis.mp4 |
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033 Making primary color corrections with timeline effects.mp4 |
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034 Making a secondary selective color correction with timeline effects.mp4 |
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039 Making a masked correction inside of ConnectFX effects.mp4 |
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042 Keying and compositing the layers together in Action.mp4 |
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044 Creating a ConnectFX clip and using the Action node to import layered Photoshop files.mp4 |
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045 Using 3D views in ConnectFX to manipulate the layered Photoshop file.mp4 |
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007 Importing and organizing media using the Media Hub and Media Library.mp4 |
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015 Importing media from other Smoke projects or Smoke archives.mp4 |
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021 Using overwrite and insert edits to assemble the scene.mp4 |
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036 Making primary color corrections with timeline effects.mp4 |
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037 Making a secondary selective correction with the Color Warper.mp4 |
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002 Where does SpeedGrade fit in a post-production workflow.mp4 |
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013 Using analysis tools to evaluate contrast and exposure.mp4 |
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018 Using an edit decision list (EDL) to conform a project.mp4 |
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021 Understanding the 3-Way controls - Shadows, Midtones, and Highlights.mp4 |
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022 Understanding the 3-Way controls - Hue and Saturation.mp4 |
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046 Saving and applying looks using the Look Manager and Look presets.mp4 |
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047 Colorist lingo - RAW, LOG, and look-up tables (LUTs).mp4 |
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041 Developing an image with the Zone System and sharpening.mp4 |
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020 Changing the feel of your simulation with Timing settings.mp4 |
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021 Adding more detail to your simulation with Up-Res'ing.mp4 |
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027 Influencing the simulation with the Temperature channel.mp4 |
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030 Adding decay to the simulation with the Burn channel.mp4 |
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038 Previewing fire and smoke together with the Preview Fluid Container window.mp4 |
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040 Developing the look of smoke with the Smoke shader - Part one.mp4 |
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041 Developing the look of smoke with the Smoke shader - Part two.mp4 |
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042 Developing the look of smoke with the Smoke shader - Part three.mp4 |
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053 Preparing fractured geometry for dynamics - Part one.mp4 |
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054 Preparing fractured geometry for dynamics - Part two.mp4 |
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006 Finishing your video with color correction, graphics, and sound.mp4 |
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004 Film language is born - Continuity editing and montage theory.mp4 |
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008 Advancements in film editing technology and technique.mp4 |
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011 Understanding how the past has shaped the present and future.mp4 |
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010 Disorienting slides - Vertigo slides, Dutch-angle slides.mp4 |
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017 Choosing the right camera for motion (large sensor vs. small sensor).mp4 |
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018 Every camera movement has a different emotional effect on your film.mp4 |
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004 Lighting and location working together to create an exterior scene.mp4 |
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005 Lighting and location working together to create an interior scene.mp4 |
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006 How appropriate lighting can enhance your video productions.mp4 |
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010 How does lighting reveal or obscure subjects and objects.mp4 |
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020 Applying what you've learned to your own productions.mp4 |
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005 Bringing your skills to the next level with mograph projects.mp4 |
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001 Motion design insights with Jeremy Cox and Brandon Parvini - NAB 2014.mp4 |
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005 Setting up a file storage system using Dropbox and Google Drive.mp4 |
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011 Exporting the shot list as a CSV for the Shot Lister app.mp4 |
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031 Exporting an XML shot log from MovieSlate for Premiere Pro or Final Cut Pro.mp4 |
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002 Exploring the community of Professionals at the show.mp4 |
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19.1 MB |
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16.0 MB |
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19.8 MB |
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17.7 MB |
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18.7 MB |
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12.3 MB |
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7.4 MB |
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16.8 MB |
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11.2 MB |
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12.5 MB |
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22.8 MB |
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16.7 MB |
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10.8 MB |
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24.1 MB |
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8.0 MB |
024 Rendering Cinema 4D splines with the X-Particles material.mp4 |
6.4 MB |
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20.9 MB |
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22.5 MB |
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20.5 MB |
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12.6 MB |
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16.5 MB |
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21.7 MB |
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32.1 MB |
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17.2 MB |
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20.1 MB |
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15.0 MB |
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23.8 MB |
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16.3 MB |
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17.9 MB |
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5.6 MB |
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5.0 MB |
040 Using particle painting to create condensation on a soda can.mp4 |
22.2 MB |
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11.7 MB |
042 Installing icons to identify different parts of the sim.mp4 |
7.7 MB |
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13.2 MB |
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20.8 MB |
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29.1 MB |
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27.2 MB |
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17.8 MB |
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43.9 MB |
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5.1 MB |
/iMovie-tutorials_iMovie-1002-Essential-Training_15963/ |
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8.1 MB |
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8.8 MB |
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666.9 KB |
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11.7 MB |
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1.9 MB |
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7.6 MB |
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10.8 MB |
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7.4 MB |
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6.8 MB |
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18.5 MB |
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17.0 MB |
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33.2 MB |
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13.0 MB |
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16.9 MB |
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10.2 MB |
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4.5 MB |
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4.7 MB |
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35.8 MB |
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14.7 MB |
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12.0 MB |
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24.2 MB |
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12.6 MB |
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20.4 MB |
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27.7 MB |
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25.6 MB |
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46.9 MB |
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16.7 MB |
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57.1 MB |
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16.8 MB |
030 Adding cutaways, side-by-side video, and picture-in-picture effects.mp4 |
25.7 MB |
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29.2 MB |
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7.3 MB |
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45.0 MB |
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45.7 MB |
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41.2 MB |
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30.4 MB |
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16.4 MB |
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15.2 MB |
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9.5 MB |
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30.5 MB |
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36.0 MB |
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1.5 MB |
/iMovie-tutorials_iMovie-iOS-Essential-Training_16544/ |
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11.0 MB |
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17.8 MB |
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92.6 MB |
004 Understanding the differences between the iPad and iPhone_iPod versions.mp4 |
12.9 MB |
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50.0 MB |
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52.2 MB |
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34.5 MB |
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25.2 MB |
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79.9 MB |
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69.4 MB |
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37.4 MB |
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49.9 MB |
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32.8 MB |
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75.3 MB |
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36.1 MB |
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56.8 MB |
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89.7 MB |
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74.3 MB |
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87.8 MB |
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115.8 MB |
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43.6 MB |
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31.2 MB |
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60.5 MB |
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103.0 MB |
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33.8 MB |
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35.9 MB |
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36.9 MB |
028 Sharing to YouTube, Facebook, Vimeo, and CNN iReport.mp4 |
38.7 MB |
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53.1 MB |
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4.8 MB |
/iOS-tutorials_Shooting-iPhone-5s_15616/ |
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25.1 MB |
002 Understanding the differences between the iPhone 5s and SLRs.mp4 |
54.1 MB |
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64.5 MB |
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57.6 MB |
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71.1 MB |
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77.3 MB |
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41.8 MB |
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37.8 MB |
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113.1 MB |
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48.7 MB |
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52.3 MB |
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53.7 MB |
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31.2 MB |
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109.2 MB |
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50.6 MB |
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59.3 MB |
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47.5 MB |
018 Using the built-in panorama feature on the iPhone 5s.mp4 |
70.0 MB |
|
57.9 MB |
020 Using the panorama feature as a way to get a wide-angle shot.mp4 |
37.2 MB |
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46.7 MB |
|
64.3 MB |
023 Understanding the basic video features on the iPhone 5s.mp4 |
22.3 MB |
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18.5 MB |
025 Using the slow-motion feature to capture action shots.mp4 |
87.8 MB |
|
49.2 MB |
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49.4 MB |
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29.9 MB |
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50.0 MB |
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34.2 MB |
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30.0 MB |
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46.2 MB |
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37.1 MB |
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85.0 MB |
|
28.8 MB |
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44.7 MB |
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54.4 MB |
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91.6 MB |
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55.6 MB |
|
74.3 MB |
041 Integrating the iPhone 5s into your photographic workflow.mp4 |
31.9 MB |
|
15.0 MB |
/mocha-tutorials_mocha-4-Essential-Training_19566/ |
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2.2 MB |
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5.1 MB |
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7.0 MB |
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18.1 MB |
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29.9 MB |
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54.4 MB |
007 Timeline tricks - In and out points on projects and layers.mp4 |
7.6 MB |
008 Tracking objects that move offscreen with unlink tracking.mp4 |
20.1 MB |
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25.6 MB |
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47.8 MB |
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7.6 MB |
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5.2 MB |
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5.6 MB |
014 mocha v4 project setup and changes to the Clip module.mp4 |
10.9 MB |
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4.4 MB |
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4.3 MB |
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5.3 MB |
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7.0 MB |
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10.6 MB |
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20.3 MB |
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16.1 MB |
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10.9 MB |
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12.6 MB |
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11.0 MB |
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26.7 MB |
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21.2 MB |
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9.0 MB |
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31.9 MB |
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30.0 MB |
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14.6 MB |
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24.7 MB |
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6.9 MB |
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25.5 MB |
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25.4 MB |
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37.0 MB |
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45.2 MB |
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25.3 MB |
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22.7 MB |
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6.6 MB |
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37.8 MB |
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20.5 MB |
|
27.3 MB |
043 The difference between visible layers and active layers.mp4 |
16.0 MB |
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30.3 MB |
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39.1 MB |
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25.9 MB |
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20.7 MB |
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20.6 MB |
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16.9 MB |
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26.4 MB |
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28.1 MB |
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18.1 MB |
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38.1 MB |
054 How to work around the limitations of Final Cut Pro 7's animation properties.mp4 |
34.6 MB |
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34.1 MB |
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29.5 MB |
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10.2 MB |
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19.0 MB |
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22.4 MB |
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26.6 MB |
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7.6 MB |
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31.5 MB |
|
67.2 MB |
|
29.6 MB |
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12.2 MB |
|
9.0 MB |
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25.4 MB |
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20.8 MB |
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28.9 MB |
|
16.3 MB |
|
20.9 MB |
|
36.5 MB |
|
32.3 MB |
|
24.4 MB |
|
22.6 MB |
|
24.7 MB |
|
43.5 MB |
|
18.8 MB |
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20.0 MB |
|
45.1 MB |
|
38.7 MB |
|
19.1 MB |
|
22.9 MB |
|
37.0 MB |
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18.2 MB |
|
16.8 MB |
|
58.6 MB |
|
7.0 MB |
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31.3 MB |
|
69.7 MB |
|
30.8 MB |
|
38.2 MB |
093 Exporting and checking the 3D camera data in After Effects.mp4 |
63.4 MB |
094 Troubleshooting and limitations of the Camera Solver.mp4 |
32.9 MB |
|
15.8 MB |
|
19.1 MB |
|
27.9 MB |
098 Exporting stereoscopic 3D track and shape data to After Effects.mp4 |
31.1 MB |
|
4.6 MB |
Total files 8379 |
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