Lynda com Photoshop CS6 One on One Complete all courses

/4 - Photoshop CS6 One-on-One - Mastery/

Exercise Files.rar

/3 - Photoshop CS6 One-on-One - Advanced/

Exercise Files.rar

/1 - Photoshop CS6 One-on-One - Fundamentals/

Exercise Files.rar

/2 - Photoshop CS6 One-on-One - Intermediate/

Exercise Files.rar

/.../37 - Panoramas and Wide Angle/

37-7 Aligning constraints and overcorrecting.mp4

37-6 Correcting a panorama with Adaptive Wide Angle.mp4

37-4 Manually straightening a GoPro photo.mp4

37-2 Introducing the Adaptive Wide Angle filter.mp4

37-5 Stitching together a seamless panorama.mp4

37-3 Drawing polygonal constraints.mp4

37-1 Correcting barrel distortion and panoramas.mp4

/.../40 - High Dynamic Range/

40-10 Merging simulated exposures in HDR Pro.mp4

40-7 Adding a curve in HDR Pro to heighten reality.mp4

40-6 Dramatically increasing the detail in a photo.mp4

40-8 Creating a faux-HDR effect in Camera Raw.mp4

40-9 Simulating HDR exposures in Camera Raw.mp4

40-11 Creating an authentic HDR portrait shot.mp4

40-12 Softening an HDR portrait shot.mp4

40-5 How the HDR Pro settings work.mp4

40-2 Automatically aligning bracketed photographs.mp4

40-3 Preparing bracketed photos in Camera Raw.mp4

40-4 Introducing the HDR Pro command.mp4

40-1 Merging multiple exposures in Photoshop.mp4

/.../35 - Art Filters and Oil Paint/

35-13 Using the new Oil Paint filter.mp4

35-2 Introducing the Filter Gallery.mp4

35-5 The strange power of the Sketch filters.mp4

35-12 Brightening eyes and teeth in a filtered portrait.mp4

35-4 Combining multiple Filter Gallery effects.mp4

35-11 Pencil sketching one image onto another.mp4

35-6 Converting an image to etched outlines.mp4

35-3 Modifying Filter Gallery settings.mp4

35-9 Customizing a filter effect for a new image.mp4

36-14 Customizing an effect with a filter mask.mp4

35-8 Duplicating a complex Smart Filter sequence.mp4

35-1 Welcome to One-on-One.mp4

35-7 Turning those outlines into digital ink.mp4

35-10 Tracking Filter Gallery effects by name.mp4

/42 - Actions/

42-7 Actioning a consistent image resolution.mp4

42-6 Adding steps to an existing action.mp4

42-3 Recording a simple but practical action.mp4

42-5 Creating a dynamically adjustable action.mp4

42-2 Introducing the Actions panel.mp4

42-8 Modifying an adjustment and adding Save As.mp4

42-4 Modifying settings and playing an actio.mp4

42-10 Batch-processing an entire folder of images.mp4

42-11 Saving and loading your actions.mp4

42-9 Actioning the creation of a flat CMYK image.mp4

42-1 Three incentives for recording actions.mp4

/.../38 - Puppet Warp and Animation/

38-11 Exporting a QuickTime movie and GIF animation.mp4

38-9 Converting layers into animated frames.mp4

38-3 Introducing the Puppet Warp command.mp4

38-6 Using Pin Depth and Density.mp4

38-7 Applying Puppet Warp to editable tex.mp4

38-10 Tweening and animating text.mp4

38-4 Changing the mode and adding rotation.mp4

38-5 Adjusting the Expansion value.mp4

38-2 Extracting a foreground from a background.mp4

38-8 Creating an intermediate text frame.mp4

38-1 Distorting an extracted image.mp4

/.../41 - Advanced Layers/

41-12 Applying a mode or effect to an entire group.mp4

41-7 Grouping layers by name.mp4

41-6 Deleting empty layers; replacing fonts.mp4

41-2 Renaming a sequence of layers.mp4

41-11 Creating a dynamic layer comp.mp4

41-5 Color property, hide, show, and lock.mp4

41-8 Masking groups and effects in one operation.mp4

41-4 Searching by name, effect, and blend mode.mp4

41-1 Managing the multilayer experience.mp4

41-10 Introducing layer comps.mp4

41-9 Expanding and collapsing all groups and effects.mp4

41-13 Moving many layers without upsetting comps.mp4

41-3 Refining the Layers list using filter icons.mp4

/.../31 - Blend Modes/

31-2 Using the Dissolve mode.mov

31-14 Using the luminance-exclusion slider bars.mov

31-5 Cleaning up and integrating a bad photo.mov

31-13 The Fill Opacity Eight.mov

31-8 A few great uses for the contrast modes.mov

31-6 Blending inside blend modes.mov

31-3 Multiply and the darken modes.mov

31-4 Screen and the lighten modes.mov

31-7 Overlay and the contrast modes.mov

31-10 Capturing the differences between images.mov

31-9 Difference, Exclusion, Subtract, and Divide.mov

31-1 Blend Modes.mov

31-12 Blend mode shortcuts.mov

31-11 Hue, Saturation, Color, and Luminosity.mov

/.../36 - Lighting Effects/

36-2 Introducing the Lighting Effects filter.mp4

36-5 Lighting a watermark texture map.mp4

36-4 Creating an angled watermark pattern.mp4

36-7 Creating raised credit-card-style letters.mp4

36-8 Wrapping an image using a displacement map.mp4

36-3 Creating a custom, colorful vignette.mp4

36-6 Turning text into a soft texture map.mp4

36-1 Shining light onto a photograph.mp4

/.../39 - Editing Video/

39-10 Editing an existing video comp.mp4

39-9 Exporting and examining your video.mp4

39-11 Adding a video clip to the start of a track.mp4

39-13 Applying a Smart Filter to an entire video clip.mp4

39-8 Adding soundtracks and voiceovers.mp4

39-3 Creating gradually fading transitions.mp4

39-7 Adding motion to text (or any layer).mp4

39-2 Loading video clips into Photoshop.mp4

39-6 Combining your text into video groups.mp4

39-12 Superimposing video clips with blend modes.mp4

39-5 Adding text to your video.mp4

39-4 Activating a few painless keyboard shortcuts.mp4

39-1 Why edit video in Photoshop.mp4

/.../33 - Refine Edge and Layer Masks/

33-8 Combining Quick Selection with Refine Mask.mov

33-7 Perfecting a mask with overlay painting.mov

33-5 Using the Refine Radius tool.mov

33-3 Introducing the Refine EdgeMask command.mov

33-9 Bolstering and integrating hair.mov

33-2 Laying down a base layer mask.mov

33-1 Refine Edges.mov

33-4 Edge detection and Smart Radius.mov

33-6 The transformative power of Refine Edge.mov

/.../32 - Color Range and Quick Mask/

32-7 Correcting fringes around a masked layer.mov

32-4 Refining a selection in the Quick Mask mode.mov

32-3 Selecting a complex image with Color Range.mov

32-1 Color Range.mov

32-6 Painting directly inside an alpha channel.mov

32-2 Introducing the Color Range command.mov

32-8 Turning a layer into a knockout.mov

32-5 Viewing a mask with or without its image.mov

/4 - Using Layers/

4-12 Layering tips and tricks.f4v

4-6 Working with opacity, the History command, and blend modes.f4v

4-7 Duplicating a selected portion of a layer.f4v

4-1 Introducing the layered composition.f4v

4-3 Adding, scaling, and aligning layers.f4v

4-11 Creating a new layer and background.f4v

4-9 Blending inside a clipping mask.f4v

4-4 Dragging and dropping layers.f4v

4-8 Applying a clipping mask.f4v

4-2 Introducing the Layers panel.f4v

4-10 Finishing off your artwork.f4v

4-5 Stacking, revealing, and renaming.f4v

/.../1 - Opening an Image/

1-1 Welcome to One-on-One.f4v

1-2 Opening an image from the Windows desktop.f4v

1-3 Opening an image from the Macintosh Finder.f4v

1-4 Opening an image from Photoshop or Bridge.f4v

1-6 Opening an image through Camera Raw.f4v

1-7 Closing one image and using Close All.f4v

1-5 Opening an image from Mini Bridge.f4v

/.../23 - Shortcuts and Settings/

23-1 Welcome to One-on-One.mov

23-7 Adjusting the color settings in Photoshop.mov

23-2 Loading the dekeKeys keyboard shortcuts.mov

23-6 The interface and performance settings.mov

23-4 Adjusting a few general preferences.mov

23-3 Remapping your Macintosh OS shortcuts.mov

23-5 Using the visual HUD color picker.mov

/.../34 - The Pen Tool/

34-2 Pixel-based masking versus the Pen tool.mov

34-6 Converting a path outline to a vector mask.mov

34-4 Moving, deleting, and adding anchor points.mov

34-9 Drawing smooth points with the Pen tool.mov

34-3 Drawing a straight-sided path outline.mov

34-1 The Pen tool.mov

34-5 Dragging control handles to modify curves.mov

34-13 Using the Convert Point tool.mov

34-11 Cusp points and the Rubber Band option.mov

34-8 How to position points and control handles.mov

34-7 Customizing a geometric shape.mov

34-10 Duplicating and scaling a vector mask.mov

34-12 Setting anchor points in the pasteboard.mov

/.../19 - Liquifying an Image/

19-6 Lifting and slimming details.mov

19-4 The Pucker, Bloat, Push, and Twirl tools.mov

19-7 Warping legs, arms, and fabric.mov

19-2 The Warp and Reconstruct tools.mov

19-1 Removing the weight that the camera adds.mov

19-8 Improving a model's posture.mov

19-5 Saving and reapplying Liquify settings.mov

19-3 Brush size, hardness, and opacity.mov

/.../5 - Saving Your Progress/

5-3 Saving layers to PSD.f4v

5-2 Four things to know about saving.f4v

5-4 Saving print images to TIFF.f4v

5-6 Saving a flat photo to JPEG.f4v

5-5 Saving an interactive image to PNG.f4v

5-1 The art of the save.f4v

/.../30 - The Blur Gallery/

30-7 Creating a radial blur with Iris Blur.mov

30-6 Using the Selection Bleed option.mov

30-1 Blur Gallery.mov

30-4 Editing and exporting a Field Blur mask.mov

30-8 Creating fake miniatures with Tilt-Shift.mov

30-2 Creating depth-of-field effects in post.mov

30-3 Modifying your Field Blur settings.mov

30-5 Adding a synthetic light bokeh.mov

30-9 Combining multiple Blur Gallery effects.mov

/.../29 - Noise and Detail/

29-2 Introducing the Reduce Noise filter.mov

29-8 Brushing away blur and sharpening.mov

29-11 Correcting noise and detail in Camera Raw.mov

29-12 Adding noise grain and vignetting effects.mov

29-10 The Camera Raw Detail panel.mov

29-9 Creating texture by adding noise.mov

29-1 Noise vs. Details.mov

29-3 Correcting a noisy photo.mov

29-6 Adjusting overly saturated shadows.mov

29-4 Smoothing over high-contrast noise.mov

29-5 Protecting details with an edge mask.mov

29-7 Correcting with High Pass and Lens Blur.mov

/.../27 - Camera Raw/

27-1 Camera Raw.mov

27-11 Vignette, chromatic aberration, and fringe.mov

27-4 The revamped Exposure controls.mov

27-14 Camera Raw Smart Objects.mov

27-10 Applying manual lens corrections.mov

27-7 Painting edits with the Adjustment Brush.mov

27-13 Working with JPEG and TIFF images.mov

27-2 Opening and editing multiple images.mov

27-12 Selective hue, saturation, and luminance.mov

27-6 The Spot Removal and Graduated Filter tools.mov

27-5 Working with archival images.mov

27-15 Editing Camera Raw images from Bridge.mov

27-9 Straighten, crop, and geometric distortions.mov

27-8 Tone Curves (and why you don't need them).mov

27-3 Correcting white balance.mov

/7 - Adjusting Luminance/

7-11 Using the ShadowsHighlights command.f4v

7-1 First, there is brightness.f4v

7-6 Using a dynamic adjustment layer.f4v

7-2 Understanding how luminance works.f4v

7-9 Introducing the histogram.f4v

7-10 Measuring an adjustment.f4v

7-7 Editing adjustment layers.f4v

7-8 Isolating an adjustment with a layer mask.f4v

7-3 Using the three Auto commands.f4v

7-4 Working with automatic brightness and contrast.f4v

7-5 Using the BrightnessContrast command.f4v

/.../11 - The Content-Aware Collection/

11-1 The best of Photoshop automation.mov

11-3 Using Content-Aware Patch.mov

11-7 The Content-Aware Scale command.mov

11-2 Introducing the Patch tool.mov

11-5 Using the Content-Aware Move tool.mov

11-9 Protecting skin tones.mov

11-8 Scaling in multiple passes.mov

11-6 Using Content-Aware Extend.mov

11-4 Retouching with Content-Aware Patch.mov

/.../9 - Select and Edit/

9-12 Refining and finishing the image.f4v

9-6 Cropping one selection inside another.f4v

9-2 Using the geometric marquee tools.f4v

9-11 Using the Magic Wand tool and the Grow command.f4v

9-3 Aligning one image element to another.f4v

9-5 Using the Polygonal Lasso tool and Quick Mask mode.f4v

9-9 Making it better with Refine Edge.f4v

9-8 Using the Quick Selection tool and the Similar command.f4v

9-7 Creating rays of light.f4v

9-4 Working with the Lasso tool.f4v

9-1 Making selective edits.f4v

9-10 Integrating image elements.f4v

/8 - Adjusting Colors/

8-4 Changing the color balance.f4v

8-7 Correcting color casts in Camera Raw.f4v

8-8 Using the HueSaturation command.f4v

8-10 Making more color with Vibrance.f4v

8-9 Summoning colors where none exist.f4v

8-3 Correcting a color cast automatically.f4v

8-1 And second, there is color.f4v

8-6 Adjusting color intensity with Vibrance.f4v

8-2 Identifying a color cast.f4v

8-5 Compensating with Photo Filter.f4v

8-11 Making a quick-and-dirty sepia tone.f4v

/.../6 - Crop and Straighten/

6-5 Filling in missing details.f4v

6-1 Honing in on your image.f4v

6-2 Exploring the new and improved Crop tool.f4v

6-3 Editing your last crop.f4v

6-4 Straightening a crooked image.f4v

6-6 Using the Perspective Crop tool.f4v

/.../3 - Image Size and Resolution/

3-6 Changing the print size.f4v

3-11 Some upsampling advice.f4v

3-9 Exploring the interpolation settings.f4v

3-1 Understanding digital imaging fundamentals.f4v

3-5 Upsampling vs- capturing real pixels.f4v

3-10 Some downsampling advice.f4v

3-7 Downsampling for print.f4v

3-3 Using the Image Size command.f4v

3-4 Exploring common resolution standards.f4v

3-2 Working with image size and resolution.f4v

3-8 Downsampling for email.f4v

/.../10 - Retouch and Heal/

10-8 Adjusting color with the Brush tool.f4v

10-9 Smoothing skin textures.f4v

10-2 Working with Content-Aware Fill.f4v

10-4 Working with the more capable standard Healing Brush.f4v

10-3 Using the Spot Healing Brush.f4v

10-11 Intensifying eyes.f4v

10-7 Using the Dodge and Burn tools.f4v

10-6 Using Caps Lock and fading brushstrokes.f4v

10-10 Brightening teeth.f4v

10-5 Meet the Clone Source panel.f4v

10-1 Putting your best face forward.f4v

/.../24 - Smart Objects/

24-1 Smart Objects.mov

24-13 Removing people from a scene with Median.mov

24-4 Transforming and warping a vector object.mov

24-6 Blurring with a nested Smart Filter.mov

24-3 Copying and pasting from Adobe Illustrator.mov

24-7 Editing a Smart Object in Illustrator.mov

24-5 Blending a Smart Object into a photograph.mov

24-8 Creating true clones.mov

24-2 Three ways to place a Smart Object.mov

24-12 Editing originals; updating clones.mov

24-11 Styling and blending Smart Objects.mov

24-10 Breaking the Smart Object link.mov

24-9 Duplicating a group of clones.mov

/.../21 - Printing an Image/

21-1 The many ways to print.mov

21-3 Print, position, and size.mov

21-7 Special printing options.mov

21-6 Getting reliable color.mov

21-9 Creating contact sheets.mov

21-8 Previewing an image at print size.mov

21-10 Creating a multipage PDF.mov

21-2 Using the test document.mov

21-5 Establishing a bleed.mov

21-4 Description and printing marks.mov

/.../16 - Layer Effects/

16-11 Adding texture to Bevel and Emboss.mov

16-10 Gloss and surface contour.mov

16-6 Creating a custom contour.mov

16-4 Modifying a layer and its effects.mov

16-9 Global Light and rasterizing effects.mov

16-2 Imparting depth with a layer effect.mov

16-3 The power of the drop shadow.mov

16-1 Depth, contour, and texture.mov

16-8 Multiple effects and multiple layers.mov

16-7 Introducing Bevel and Emboss.mov

16-5 Saving custom default settings.mov

/.../20 - Converting to Black & White/

20-1 Shoot in color, convert to black and white.mov

20-8 Customizing the Black & White settings.mov

20-9 Black & White meets the Channel Mixer.mov

20-3 Mixing a custom black-and-white image.mov

20-11 Grayscale and Split Tone in Camera Raw.mov

20-2 Three ways to grayscale.mov

20-4 Simulating an infrared photograph.mov

20-6 Creating a hyper-saturated image.mov

20-10 Infusing an image with tint and color.mov

20-5 Creating a sienna-infused sepia tone.mov

20-7 Introducing the Black & White command.mov

/.../18 - Scale, Rotate, Skew, and Warp/

18-1 Meet the transformations.mov

18-9 Using transformations to draw and correct.mov

18-7 Warping a logo with Arc and Flag.mov

18-11 Adding highlights with Lens Flare.mov

18-10 Bolstering text with layer effects.mov

18-5 Scale, duplicate, and repeat.mov

18-4 Rotating a layer with Free Transform.mov

18-8 Distort, perspective, and skew.mov

18-2 Transformation and Smart Objects.mov

18-6 Creating a synthetic star field.mov

18-3 Adjusting the interpolation setting.mov

/.../26 - Using Curves/

26-1 Using curves.mov

26-8 The new automatic Curves function.mov

26-4 Winning Curves tips and tricks.mov

26-5 Correcting a challenging image.mov

26-7 Neutralizing colors and smoothing transitions.mov

26-2 Introducing the Curves adjustment.mov

26-6 Selecting and darkening highlights.mov

26-3 Adding and editing points on a curve.mov

/.../22 - Saving for the Web/

22-4 Creating a high-contrast GIF image.mov

22-3 Creating the perfect JPEG image.mov

22-6 Downsampling for the web.mov

22-1 Making Internet imagery.mov

22-5 The two varieties of PNG.mov

22-7 Adding copyright and contact info.mov

22-2 Introducing Save for Web.mov

/.../15 - Drawing Shapes/

15-8 Saving a resolution-independent PDF file.mov

15-1 The other vector-based layer.mov

15-9 Turning a small image into a huge one.mov

15-4 Creating your own repeatable custom shape.mov

15-7 Creating a soft, synthetic sparkle.mov

15-2 Drawing a dashed or dotted border.mov

15-6 Cropping, adjusting, and merging shapes.mov

15-5 Combining simple shapes to make complex ones.mov

15-3 Drawing and aligning custom shapes.mov

/.../14 - Creating and Formatting Text/

14-5 Kerning and tracking characters.mov

14-1 Vector-based type.mov

14-4 Type size and color tricks.mov

14-7 Selecting and formatting paragraphs.mov

14-11 Creating and stylizing a logo.mov

14-3 Font and type style tricks.mov

14-8 Setting text inside a custom path.mov

14-2 Creating and editing point text.mov

14-12 Masking text into image elements.mov

14-6 Creating and editing area text.mov

14-9 Creating text along a path.mov

14-10 Adjusting baseline shift.mov

/.../13 - Sharpening Details/

13-1 How sharpening works.mov

13-7 The More Accurate check box.mov

13-10 Sharpening with High Pass.mov

13-2 Introducing the Smart Sharpen filter.mov

13-5 Addressing color artifacts and clipping.mov

13-8 Correcting for camera shake.mov

13-11 Painting in sharpness.mov

13-9 Sharpening with the Emboss filter.mov

13-6 Sharpening a digital photograph.mov

13-4 Gauging the best sharpening settings.mov

13-3 Understanding the Radius value.mov

/.../28 - Duotones and Colorize/

28-5 Creating a custom quadtone.mov

28-7 Creating a faux-color, high-key effect.mov

28-2 Creating a professional-quality sepia tone.mov

28-1 Duotones.mov

28-6 Colorizing with blend modes and Opacity.mov

28-3 Introducing the Gradient Map adjustment.mov

28-4 Loading a library of custom gradients.mov

/.../17 - Paragraph, Character, and Layer Styles/

17-6 Loading and customizing layer styles.mov

17-7 Merging and saving layer styles.mov

17-5 Applying and creating layer styles.mov

17-4 Creating and styling a placeholder style.mov

17-3 Redefining a style and styling a word.mov

17-1 Styles store settings.mov

17-2 Creating and applying a paragraph style.mov

/Conclusion/

See ya.mp4

/2 - Getting Around/

2-3 Navigating tabs and windows.f4v

2-4 Organizing panels and workspaces.f4v

2-5 Zooming incrementally.f4v

2-12 Adjusting a few screen preferences.f4v

2-11 Using the Navigator panel.f4v

2-2 The dark vs- the light interface.f4v

2-10 Cycling between screen modes.f4v

2-6 Zooming continuously.f4v

2-8 Scrolling and panning images.f4v

2-7 Entering a custom zoom value.f4v

2-9 Rotating and resetting the view.f4v

2-1 Navigating your image.f4v

/Conclusion/

Goodbye.mov

/.../25 - Shadows and Highlights/

25-8 Masking a group of Smart Filters.mov

25-1 Luminance meets sharpening.mov

25-2 Correcting for lens distortion.mov

25-3 Introducing Shadows and Highlights.mov

25-9 Reducing the density of a layer mask.mov

25-4 Mitigating halos with Radius values.mov

25-6 Creating a bounce with Gaussian Blur.mov

25-7 Sharpening on top of blur.mov

25-5 Enhancing the effects of Midtone Contrast.mov

/.../12 - Adjusting Levels/

12-3 Customizing a Levels adjustment.mov

12-6 Previewing clipped pixels.mov

12-1 Editing the histogram.mov

12-2 The new automatic Levels adjustment.mov

12-7 Retouching with Output Levels.mov

12-10 Assigning shortcuts to adjustment layers.mov

12-5 Opening up the shadows.mov

12-4 Understanding the Gamma value.mov

12-9 Faking a gray card in post.mov

12-8 Making channel-by-channel adjustments.mov

/Conclusion/

Goodbye.f4v

Total files 435