Mastering In Cubase | BFA8A486506078A8651FA70B8BBCB1DFDCA9D572

Mastering In Cubase

Name	Mastering In Cubase	DOWNLOAD Copy Link Trouble downloading? see How To
Total Size	991.7 MB
Total Files	90
Hash	BFA8A486506078A8651FA70B8BBCB1DFDCA9D572

/.../01. The Concept Of Mastering/
05. Remastering Comparison.mov	31.3 MB
07. Bit Depth - 16 Bit vs 24 Bit vs 32 Bit.mov	25.3 MB
04. Peak Volume vs. Average (RMS) Volume.mov	21.2 MB
09. Sample Frequency (in KHz) - 44.1 vs. 48 vs. 88.2 vs ....mov	19.7 MB
06. The Loudness War - Daring To Be Neutral.mov	13.3 MB
10. Mastering For Different Musical Genres.mov	8.9 MB
03. Analog Mastering vs. Digital Mastering.mov	8.8 MB
01. Goals Of Mastering In Cubase.mov	6.1 MB
08. Don't Throw Away Your Bits (Maximizing Dynamic Range).mov	6.0 MB
02. What Is Audio Mastering.mov	5.6 MB
/.../02. The Tools Of Mastering/
13. Normalizing And Why You Shouldn't Use It.mov	8.1 MB
12. The Top Speed Of Digital Audio Is 0 (Zero).mov	6.6 MB
11. My Clients Say ''Make It Punchy, Shiny, And LOUD!''.mov	3.4 MB
14. The Concept Of Dithering.mov	3.3 MB
/.../03. The Cubase Mastering Plug-ins/
20. Following Proper Mastering Plug-in Order.mov	9.1 MB
17. Plug-ins For Tone (EQ).mov	6.9 MB
15. Mastering Limitations Of Cubase Studio 5 And Lower.mov	5.7 MB
21. Using The Cubase Plug-ins Reference Manual.mov	4.8 MB
16. Plug-ins For Compression.mov	4.2 MB
22. What The Click - Mac OS vs. Windows Mouse Commands.mov	3.7 MB
19. Plug-ins For Dithering.mov	3.3 MB
18. Plug-ins For Limiting.mov	3.3 MB
/.../04. Making A Master-Ready Mix In Cubase/
25. Checking The Gain Stage Of The Master Fader.mov	26.5 MB
24. Monitoring The Mastering Plug-ins.mov	18.0 MB
27. Increasing Your Audio Interface Buffer During Mastering.mov	17.9 MB
23. Inserting The Mastering Plug-ins.mov	12.3 MB
28. Can I Use Mastering Plug-ins On Individual Tracks.mov	10.3 MB
29. Using Your Ears, Monitors, Headphones And Car Stereo.mov	8.9 MB
26. Mastering After The Mix vs. During The Mix.mov	7.9 MB
/.../05. The Controls Of A Compressor/
30. Creating A Cubase Project For The Next Chapters.mov	20.4 MB
37. Attack, Hold, Release, And Auto.mov	12.8 MB
33. Threshold.mov	11.6 MB
35. Make Up Gain (Output) And Auto.mov	9.2 MB
34. Ratio.mov	9.1 MB
39. Trying Different Compressor Presets.mov	5.3 MB
32. Compressor Are Like Rubber Bands.mov	4.7 MB
31. Adding A Basic Compressor.mov	3.7 MB
38. Analysis (Peak And-Or RMS).mov	3.6 MB
36. Soft Knee vs. Hard Knee.mov	3.6 MB
/.../06. The Cubase Multiband Compressor - Your Deadliest Mast/
43. Adjusting The 4 Frequency Bands.mov	30.7 MB
40. Full-Range Compressors vs. Multiband Compressors.mov	14.1 MB
42. Using The MUTE And SOLO Controls.mov	13.3 MB
41. Multiband Compressor Controls.mov	13.3 MB
45. Trying Different Multiband Compressor Presets.mov	10.5 MB
44. Adjusting The Output Gain.mov	10.5 MB
46. Is The Multiband Compressor A Tone (EQ) Plug-in.mov	2.6 MB
/.../07. What Is Tone/
49. Parametric EQ vs. Graphic EQ.mov	12.0 MB
48. Tone Controls Found On Consumer Electronics.mov	4.5 MB
47. Tone, EQ, And Equalization Are Synonyms.mov	2.8 MB
/.../08. The Cubase Channel EQ/
52. Q-Factor.mov	16.2 MB
51. Frequency And Gain.mov	8.8 MB
55. Trying Different EQ Presets.mov	6.5 MB
54. Bypassing Individual Bands And Bypassing The Entire EQ.mov	5.7 MB
56. Is The StudioEQ Plug-in Identical To The Channel EQ.mov	4.2 MB
53. Moving The Controls.mov	3.9 MB
50. The Concepts Of The Cubase Channel Parametrics.mov	2.4 MB
/.../09. The GEQ10 And GEQ30 Graphic Equalizers/
61. Trying Different Graphic EQ Presets.mov	13.2 MB
60. The Filter Mode Settings.mov	13.2 MB
59. Outputs, Flatten, Range And Invert.mov	13.2 MB
58. Sliders For Different Frequency Bands.mov	6.4 MB
57. The Concepts Of The Cubase Graphic Equalizer Plug-ins.mov	2.8 MB
/.../10. What Is A Limiter/
62. A Limiter Is Like A C-Clamp.mov	2.8 MB
/.../11. Using The Cubase Maximizer/
63. The Maximizer Plug-in Is A Mastering Limiter.mov	7.5 MB
66. Soft Clip ''On'' Or ''Off''.mov	6.7 MB
65. Using The Optimize Control.mov	4.6 MB
64. Setting The Output Level Control.mov	1.9 MB
/.../12. Using The Appogee UV 22 HR Dithering Plug-in/
67. Where To Use The UV 22 HR.mov	14.5 MB
68. Choosing An Output Bit Resolution.mov	2.6 MB
69. Setting A Dither Level.mov	2.4 MB
/.../13. Using The Multiscope Plug-in/
70. The Multiscope In Frequency Spectrum Mode.mov	20.5 MB
71. Using The Multiscope In Phase Correlator Mode.mov	2.9 MB
/.../14. Using All Your Mastering Plug-ins On A Real Project/
78. Statistical Analysis Of The Mixdown.mov	39.3 MB
74. Using The GEQ-30.mov	32.9 MB
77. Export - Audio Mixdown.mov	22.8 MB
76. Adding A Consumer Smiley Face EQ.mov	22.2 MB
72. Setting Up A Cubase Project For Mastering.mov	20.4 MB
75. Using The Maximizer.mov	16.8 MB
73. Using The Multiband Compressor.mov	10.6 MB
/.../15. Matt's Mixdown Philosophy/
83. Exporting To MP3 Resolution With Mastering.mov	8.2 MB
80. Exporting To High-Resolution Without Mastering.mov	8.1 MB
79. Why 4 Mixdowns.mov	8.1 MB
81. Exporting To High-Resolution With Mastering.mov	4.6 MB
82. Exporting To CD Resolution With Mastering.mov	4.5 MB
/.../16. The Importance Of Multi-Project Mastering/
86. Comparing Tracks.mov	38.5 MB
84. Multi-Project Mastering Concepts.mov	25.4 MB
85. Where To Put The Plug-ins.mov	20.1 MB
89. Exporting Multi-Project Masters.mov	14.8 MB
87. Feeling The Transitions.mov	12.2 MB
88. Crossfading Mastered Files.mov	8.0 MB
/.../17. Signing Off/
90. Goodbye And Good Luck.mov	2.7 MB
Total files 90