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Download Steinberg.Audio.Mastering.Tutorial

Steinberg Audio Mastering Tutorial

Name

Steinberg.Audio.Mastering.Tutorial

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Total Size

2.8 GB

Total Files

242

Hash

8FF52BB6CB7C82E4E61B0A40CA4DA23E79B7C363

/Print/

Mastering_Steps.pdf

967.9 KB

Tips for delivering files for mastering.pdf

111.4 KB

Frequency Chart.pdf

72.9 KB

blanco-protocol.pdf

30.8 KB

/Intro/

2 Intro.mov

14.0 MB

3 Intro.mov

7.9 MB

1 Intro.mov

4.3 MB

/Steinberg.Audio.Mastering.Tutorial.Vol.1/

058 Listening strategies when working.mov

84.6 MB

066 Peak and Loudness Measurement.mov

79.8 MB

042 Equipment Requirements.mov

58.3 MB

069 Correlation Meter.mov

57.0 MB

038 Standard.mov

56.4 MB

061 Ear Training.mov

49.3 MB

026 Summary of Mastering Acoustics.mov

40.6 MB

036 Subwoofer Calibration.mov

32.4 MB

068 Spectrum Analyser.mov

31.9 MB

005 Mastering Goals .mov

29.9 MB

065 Pinguin PG-AM 4.5.mov

29.3 MB

021 Why do rooms sound different.mov

29.3 MB

004 The three Stages of Production.mov

29.0 MB

050 CD Player.mov

26.5 MB

053 Operating System Settings.mov

24.8 MB

054 Sound Cards.mov

24.6 MB

064 Metering for Mastering.mov

24.4 MB

011 Power of Native Mastering.mov

23.5 MB

015 Economic Considerations.mov

22.3 MB

012 Listening Example.mov

22.0 MB

057 The Fletcher-Munson Curve.mov

20.1 MB

016 Mastering with or without clients.mov

19.8 MB

027 Carry out a simple test.mov

19.7 MB

022 Decay Time or Room Response.mov

18.5 MB

060 Summary of Listening Strategies.mov

17.6 MB

Schlusswort_E.mov

17.5 MB

041 Working with Headphones.mov

17.3 MB

019 Mastering Studio Acoustics.mov

16.9 MB

008 CD Mastering from Stereo Tracks.mov

16.5 MB

014 Time Management.mov

15.3 MB

056 What is a good Sense of Hearing.mov

14.6 MB

029 Choice of Speakers.mov

14.3 MB

067 Goniometer.mov

12.8 MB

024 Sweet.mov

12.7 MB

006The mastering engineer as quality controller.mov

12.4 MB

020 Importance of Studio Acoustics.mov

11.7 MB

045 Cablin.mov

11.7 MB

031 Passive.mov

11.5 MB

032 Active.mov

11.5 MB

003 The Term.mov

11.5 MB

009 CD mastering from multitrack instrument groups.mov

11.5 MB

072 Other WaveLab Metering.mov

11.3 MB

070 Pinguin Spectrometer.mov

10.7 MB

007Conscientiousness.mov

10.5 MB

059 The Louder the Better.mov

10.2 MB

040 Sweet Spot.mov

10.1 MB

052 Backend Monitor Controller.mov

9.9 MB

039 Speaker Sound Directivity.mov

9.8 MB

033 Nearfield.mov

8.4 MB

049 DAT.mov

8.2 MB

043 Always listen using the same converters.mov

8.2 MB

023 Early Reflections.mov

7.5 MB

073 Other Metering.mov

6.8 MB

025 Background Noises.mov

6.5 MB

046 AESEBU orSP-DIF.mov

6.1 MB

035 Room Monitors.mov

5.3 MB

028 Studio Size.mov

5.3 MB

048 Players.mov

5.3 MB

051 CD-ROM.mov

5.0 MB

071 Bitmeter in WaveLab.mov

4.9 MB

034 Midfield.mov

4.8 MB

062 Frequency Chart.mov

2.8 MB

010 Mastering native on the computer or with expensive outboard equipment.mov

93.1 KB

017 Prerequisites for Mastering.mov

62.6 KB

013 Mastering in Europe.mov

56.6 KB

002 What is Mastering.mov

56.4 KB

055 Our Sense of Hearing.mov

56.2 KB

030 Types of Speakers.mov

55.1 KB

018 Studio Acoustics.mov

54.0 KB

037 Speaker Layout.mov

53.8 KB

063 Metering.mov

48.7 KB

001 Basics.mov

46.9 KB

047 Players .mov

5.3 KB

044 Cablin.mov

5.3 KB

/Steinberg.Audio.Mastering.Tutorial.Vol.2/

011 Reference Values for Loudness.mov

76.2 MB

016 Basics of Bit Resolution.mov

39.4 MB

079 Working Protocol.mov

28.9 MB

030 Input dithering in 16 bit recordings.mov

27.7 MB

026 Sample Rate Conversion (SRC).mov

25.6 MB

085 Denoising.mov

24.9 MB

004 Loudness and Peak Levels.mov

23.7 MB

005 Avoid Overloads.mov

22.4 MB

037 Causes of Jitter.mov

20.1 MB

039 Wordclock and Houseclock.mov

18.4 MB

025 The sense or nonsense of high sample rat.mov

18.0 MB

052 Exabyte DDP.mov

17.5 MB

Schlusswort_E.mov

17.5 MB

046 ISRCEAN.mov

16.5 MB

021 More Bits for More Sound.mov

16.1 MB

008 Headroom for Encoding and SRC.mov

15.6 MB

036 Acoustic Effects of Jitter.mov

15.6 MB

018 Importance of High Bit Depth.mov

14.9 MB

070 32 Bit Conversion.mov

13.6 MB

045 Tips for delivering files for mastering.mov

13.5 MB

050 CD-R.mov

13.2 MB

071 Removing DC Offset.mov

13.2 MB

007 MINUS 0.3 dB Maximum Level.mov

13.1 MB

047 Redbook.mov

12.9 MB

022 When can we leave 32 bit resolution.mov

12.1 MB

069 Batch Back Ups.mov

12.1 MB

067 Naming Files.mov

11.9 MB

009 Normalization.mov

11.4 MB

033 The Correct Usage of Various Dither Shape.mov

11.3 MB

055 Importent information.mov

10.7 MB

043 Recognize and Remove DC-Offset.mov

10.4 MB

080 Global Analysis.mov

10.0 MB

010 Judging Loudness.mov

10.0 MB

038 AESEBU 6t SP-DIF.mov

9.8 MB

082 No Cuts, No Fades!.mov

9.6 MB

006 What are Interleaved Sample Overs.mov

9.5 MB

035 What is Jitter.mov

9.2 MB

042 Consequences of DC-Offset.mov

8.7 MB

017 What do we mean by truncation.mov

8.6 MB

029 Different Terminology.mov

8.6 MB

051 CD-ROM.mov

8.3 MB

072 Normalization in Batch Processing.mov

8.1 MB

014 - PCM -.mov

7.7 MB

041 What is DC-Offset .mov

7.5 MB

031 When to Dither.mov

7.4 MB

019 16 to 32 Bit Conversion.mov

7.3 MB

084 Check beginnings and endings for noise.mov

7.3 MB

073 Workflow Variants.mov

7.2 MB

065 Using a Tape Machine.mov

6.3 MB

063 Importing CD tracks.mov

6.2 MB

081 Correcting LR Differences.mov

6.1 MB

064 Recording with DAT.mov

5.8 MB

078 Processing from Wave Window.mov

5.7 MB

048 DAOTAO.mov

5.4 MB

054 CD Protocol.mov

4.9 MB

032 How often can I dither the same recording.mov

4.8 MB

066 Hard DriveCD-ROM Importin.mov

4.0 MB

074 Track Transfer to Audio Montage.mov

3.9 MB

086 Select and judge the best-sounding track.mov

3.6 MB

058 Objectives of Good Mastering.mov

2.9 MB

024 Basics of Sample Rate.mov

2.7 MB

028 Dithering ets.mov

2.7 MB

076 Save the 32 Bit Montage.mov

2.6 MB

062 Recording and Naming.mov

2.6 MB

053 Umatie.mov

2.5 MB

075 Reference Tracks in Audio Montage.mov

2.5 MB

060 Folder Structure.mov

2.3 MB

057 Optimal Workflow.mov

2.2 MB

077 Create an Overview.mov

2.1 MB

012 The increase in loudness.mov

819.3 KB

044 CD Mastering - Basic Knowledge.mov

57.3 KB

049 Manufacturing Plant Master.mov

55.7 KB

013 Basics of Digital Technology.mov

55.3 KB

002 About Loudness and Peaks.mov

55.3 KB

059 Phase 1 Preparation.mov

51.6 KB

040 DC-Offset.mov

49.0 KB

015 Bit Resolution.mov

48.7 KB

023 Sample Rate.mov

48.0 KB

003 RMS Peak.mov

47.8 KB

027 Dithering.mov

46.3 KB

068 Back-Ups.mov

46.0 KB

056 Workflow.mov

45.7 KB

00 Basics.mov

44.7 KB

034 Jitter.mov

44.1 KB

/Steinberg.Audio.Mastering.Tutorial.Vol.3/

073 Example 1.mov

53.6 MB

056 Compressors.mov

42.4 MB

074 Example 2.mov

38.1 MB

047 Order of Processing Steps.mov

35.9 MB

061 Scattered High Peaks.mov

25.0 MB

045 Incompatibility.mov

23.5 MB

052 Frequency Bands.mov

23.1 MB

062 High Peaks and Low Loudness.mov

23.1 MB

005 Using Leveler for AB Comparisons.mov

22.9 MB

075 Example 3.mov

21.5 MB

071 Cases that are unsalvageable.mov

20.3 MB

049 Working with EQs.mov

19.2 MB

059 Simple removal of slight digital errors.mov

19.2 MB

026 Verification Master.mov

18.0 MB

Schlusswort_E.mov

17.5 MB

009 Adapting Remaining Tracks.mov

17.3 MB

060 Complete imbalance.mov

16.8 MB

028 Swapping individual tracks.mov

15.2 MB

013 Setting Markers, etc..mov

13.4 MB

066 Too Much Low-Midrange in the Mix.mov

12.9 MB

010 Adapting Further Tracks.mov

12.9 MB

040 Preparation.mov

12.1 MB

055 Important Filter Types.mov

11.7 MB

019 Editing CD Text.mov

11.1 MB

063 Flat Mixes.mov

10.8 MB

031 CD-R as Master.mov

10.6 MB

057 Optimizing the First Track.mov

10.4 MB

022 Minimum Peak Headroom - 0.3 dBFS.mov

9.6 MB

018 CD Background Information.mov

9.3 MB

064 Digital and Harsh Mix.mov

9.2 MB

050 EQing Stereo Mixes.mov

8.8 MB

041 Creative Sound Processing.mov

8.6 MB

069 Vocals Behind the Curtain.mov

8.4 MB

011 Multiple Versions.mov

8.4 MB

003 Intro.mov

7.9 MB

024 Final Master Montage.mov

7.9 MB

054 How can I judge.mov

6.9 MB

042 Follow Up.mov

6.1 MB

068 zzy Bass Rumble.mov

5.9 MB

046 Overs and Level Management.mov

5.6 MB

017 Linking Markers to Clips.mov

5.3 MB

053 Fletcher-Munson Curve and EQing.mov

5.3 MB

033 CD-ROM as Master.mov

5.0 MB

067 Sub-Bass Artefacts.mov

4.4 MB

004 Optimizing the Best-Sounding Track.mov

4.3 MB

007 Saving Master Section Settings.mov

3.9 MB

014 Fades with a Dynamic EQ Curve.mov

3.8 MB

016 Track Splice Markers.mov

3.6 MB

023 Dithering Settings.mov

3.5 MB

027 If errors have been detected.mov

3.5 MB

035 DDP or CD Image via the Internet.mov

3.2 MB

070 The Good Track.mov

3.0 MB

032 Technical Verification of the CD-R.mov

3.0 MB

051 EQ Basic Rules.mov

2.9 MB

029 Creating a New Final Montage.mov

2.4 MB

037 Disclaimer.mov

2.3 MB

036 Printing the report.mov

2.3 MB

065 Cold Sounding Mixes.mov

2.2 MB

021 Verifying the CD.mov

2.1 MB

015 Audio in Pauses.mov

2.0 MB

020 Editing EAN ISRC.mov

1.7 MB

008 Alternative Approaches.mov

1.7 MB

038 Important information.mov

1.6 MB

034 DDP as Master.mov

1.5 MB

072 Concrete editing examples.mov

70.0 KB

002 Creative Sound Processing.mov

59.7 KB

039 Brief Overview of the Mastering Process.mov

59.6 KB

058 Typical Examples and Strategies.mov

57.5 KB

006 Preset Management.mov

51.3 KB

003 Sound Optimizing.mov

51.2 KB

043 Sound Processing.mov

49.9 KB

030 Pressing Master.mov

49.7 KB

025 Follow Up.mov

49.7 KB

Basic Strategies.mov

49.4 KB

012 PQ-Editing.mov

46.9 KB

001 Workflow.mov

46.7 KB

048 EQs.mov

43.6 KB

 

Total files 242


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